Archive for February, 2010

Threshold

February 4, 2010
bowels

crumpet on tri-x film pushed, in mamiya tlr

 

What would happen if one woman told the truth about her life?  The world would split open.

~Muriel Rukeyser   (found on this blog, upon which I am currently crushing.)

 

I often consider the concept of threshold, perhaps because I am drawn to dance alongside it.  I wonder about the paradox of a thing, and about the point beyond which the pendulum swings the other way.  Things like . . .

breaking point breakdown conception suicide insanity orgasm death critical mass critical condition trigger release love affair hibernation hope for salvation loss of balance fucked up childhood one or the other friendly or flirty funny or crude aloof enlightened condescending wise light dark fear pain belief ecstasy lithium saturation

the level of calcium in a cell of cardiac tissue that, when reached, causes the heart to contract.

the crescendo of a feeling or desire that is secret or repressed or denied or ignored and the little thing that breaks the shell, allowing it to wreak havoc on any pathetic attempt at pretense.

. . . and such.

(ahem)

 

It is this bottom of the stairwell, head in hands, on the threshold of insanity feeling that inspired this following little ditty a few months ago, and in turn, I decided to write Motherhood, The Musical.  (I’m totally kidding, of course, but it has a certain ring, doesn’t it?)  It seems the depths of winter are inspiring quite a few of these moments in quite a few of my friends.  I wish I could sing this for you, because I crack myself up, but I can’t figure out how to effectively upload music files.  Anyway.  It’s a waltz:

I’m deep in the bowels of / Motherhood / I’m fertile and sexed and it / Doesn’t feel good / I’ll take all these children / And feed them to wolves / Or I’ll eat them myself / If the damned dogs are full.

Tell me that doesn’t just scream Broadway hit. 

 

Ohmigod.  Please don’t call Social Services.  I’m just kidding.  About the wolves.  Thing.

Cue Obsession

February 2, 2010

grace1914

This is a photo of my great aunt Grace on the beach in 1914.

How gorgeous is this?  I could stare at it all day.

Except instead of stare at it, I’m going to develop a roll of film and print out staff paper. *

Because I’ve got my music back. 

I don’t know what happened, but some dam burst in my head.  And suddenly, it is all MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!

Actually, it’s rather annoying.  I mean, seriously.  I must have ADD.  Just do one thing already, right?

But the damn . . . dam.  It’s as if it was always there, the MUSIC!MUSIC!MUSIC! building and building and building, and it just reached this threshold, and fwooooosh.  I can’t really stop obsessing about music right now.  It’s quite obnoxious.

I do tend to be fickle, of course.  And so, surely this too shall pass.  But for now, there is nothing more pressing in my life than to learn to play the electric guitar, and more specifically, to play this one song on it.  And maybe one or two more.  Luckily, I know a guy.**

It was impossible to not be musical growing up in my family.  For as long as I can remember, up until I left the house, it was always MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!  For the rest of them, it still is.  But it hasn’t been, for me, for whatever reason.  I mean, I’ve got a piano sitting in my living room.  And I play it sometimes.  And I’ve even played this one song on it.  But the full moon, and the thought of an electric guitar, these were the last two straws.  Or water molecules.  Or whatever.

fwoooooooooooshhh.

I’m not predicting future mother-of-four rockstardom or anything.  Just, MUSIC!MUSIC!MUSIC!MUSIC!  until I’m bored.

 

* You should know that I forgot to pick up Mowgli from school while searching for this.  Doesn’t the red flag for clinical psychosis have something to do with being unable to perform daily tasks?  shit.

**I’ve known these people for a couple years, and never took the time to listen to their music.  Don’t make the same mistake, go listen right now.  Scroll down and find Hello, Hospital.  RRRRRRRRRRRROCK!

selkie

February 1, 2010
watercolor and ink on arches hot press watercolor paper

watercolor and ink on arches hot press watercolor paper

 

As Shortcake was making her way into the world, I was listening to Aine Minogue’s (an Irish harpist, singer, and folklorist) song The Selkie on my iPod.    It’s beautiful, and it resonated deeply with me the first time I heard it.  But I had no idea what she was saying!  I had heard of the mythological selkie, but knew only that it had something to do with water. 

Recently, the Celtic myth of the selkie has come back into my life en force.  She is a shape-shifter, a sea creature whose sealskin allows her to live in the depths of the ocean.  Her home is there, in Sule Skerry, but she can take off her sealskin and become human for a short time as well.  In the myth I’ve just read, a human man falls in love with her in this form, as she is sunning herself on the warm rocks, and she becomes his wife.  The husband (jackass!) hides her sealskin, so she remains on land, gives birth to his son, and starts to get all parched and peely and icky.  She can live without her sealskin, but only for so long (7 years, I think?) before she needs to return to her watery home.  It is her son who later finds her sealskin, and she returns to Sule Skerry.  Her son is able to travel between the two worlds, and he is who I really identify with.  But enough about me . . .

Here the selkie looks out to the ocean, dreaming of Sule Skerry and longing for her sealskin, pregnant with the child who will eventually aid her return.

I know this feeling well.  Don’t you?

I’ve listed the original painting on my Etsy, and will be listing prints soon.