Posts Tagged ‘boom-boom ain’t it great to be crazy’

My Experience

March 1, 2010

There are those who would misteach us that to stick in a rut is consistency – and a virtue; and that to climb out of the rut is inconsistency – and a vice. (Mark Twain)

tri-x 400 mf film in mamiya c330, shortcake
tri-x 400 mf film in mamiya c330, shortcake

I often chastise myself for my inconsistency, despite my apparent tendency to praise it.  Or maybe it’s the other way around?  And I don’t, in self-pity, mean inconsistency in skills, but in interests.  

This is not yet another defense or justification of my fickle-ness.  (There are far too many of those on this blog.)  I’m just sharing my thoughts.  I won’t even quote Emerson.  I promise.  But I might quote William Blake.  Yes.  I believe I shall.

Those who restrain desire, do so because theirs is weak enough to be restrained. (William Blake)

I do not have weak desires.  And I have many—some yet restrained, some not.  Here is where I am, regarding a few of the unrestrained ones:  1) in love with this film, and with putting bits of light and shadow on it.  2) in love with my novel again, and with fixing and strengthening it.  3) in love with this new guitar, and with building up these finger calluses.  (not only can i sort of play and sing my funny little nonsense song, but i can also sing and play “blowin’ in the wind,” and so how sexy is that?)  4) in love with pencils and ink and watercolor paper, and working on a new drawing.  5) moonlighting, obviously.

When I think about it, there is this annoying grown-up in me that wags a finger and says things like, “Stop this frivolous nonsense!”  and “Do the dishes!”  and “Go to bed before 1:30 AM!”  and “What is the point?”  and “If you would just focus, maybe you’d finish something.” and “Be responsible.  Make money.”  But when they are quiet, which is most of the time, there is myth and art and music.  And I can’t quite remember why that is a problem.  Myth and Art and Music!  I don’t want to remember why that is a problem.

So, to answer the annoying, finger-wagging, grown-up-me; there is no point, really—that is the recent epiphany.  The only purpose of all of “this” is simply to share my experience of It with a capital I.  If my whore-ish muse wants to flit and float, who am I to stop her?  This is how I experience it: an overwhelm of inspiration and emotion and passion and . . . everything.  And I do what I can to express that experience, simply because I want to.  It’s never enough, I’m never enough, it will never be enough, and yet it is.  And I am.

So there.

doldrums schmoldrums

February 20, 2010

Alternative title:  February is the F-word.

It is still February.  February somewhat sucks.  For a while there, I had decided that I was going to pump Wellbutrin into our village water system, and maybe try to transmit it electronically, as well.  Or Prozac.  Or Heroin.  The other day, a friend read a phone-text and shook her head, laughing.  “Everyone’s depressed!”  And it’s true.  There is some hard core depths of despair happening ’round here.

We are deep into the dark season here in Wisconsin.  I’ve seen other bloggers talk about the signs of returning spring, and I want to throw a chunk of ice at them.  Oh no, honey.  Not here.  Here we do not mention the S word, for fear of a collective breakdown.  Except, shit.  I just mentioned it, didn’t I?  I will now pause for my fellow Doldrum-experiencers to cry with longing for the season that lingers in the distance too far beyond hope.

*  *  *  *  *

Everyone OK?  Yes.  See, that’s the thing.  I think that everyone is OK.  (I’m OK, you’re OK, OK now I’m sounding like a self-help book.  ack.)  I just think that a turn toward darkness in winter is a healthy, natural movement.  Remember?  It is when we fight it that we cause ourselves harm.  I shouldn’t be feeling this way, it is his/her fault, how can we fix this, what is the problem . . . 

There is no problem.  There is no spoon.  These Winter Doldrums have brought me some really nasty-but-good, awful-but-helpful, raw-but-fresh stuff.  Stuff that productive spring will do great things with, surely.  (shoot!  S-word!  hope!  sorry!) 

But, oh . . . . . spring.  Spriiiiiiiiiiiiing.  Maybe it is not actually so far off?  I mean, it is currently snowing.  And everything is still deader than dead.  And the sun does still set before 6 pm.  But . . . shoot!  I’ve done it again!  Sorry!  Moment of silence.

*  *  *  *  *

And in case that pathetic little attempt at inspiration doesn’t do it for you, here are some pictures that might.  They are not spring-ish in the least, but they are happy, I think.  (?)

crack

Do you know the joy of this? Can you hear it? Feel it under your feet? yesssssssssssssssssss. This is, perhaps, the best part of winter. (aside: I asked my husband, showed him the pictures, and he said, "that just looks sad." So maybe I am totally off on this?)

crackshoes

Ecstasy, I tell you. Sheer bliss. crrrrrack.

lick

And, of course, there is the licking of a big hunk of snow. (Dimples) Who can resist that?

And a few more.  I gave up putting them into nice little black rectangles for you:

callick

I'm just going to assume that this was not in the driveway. (Mowgli)

walk

And I learned something last weekend. Running in the winter can be fun! Avoiding the poorly-shoveled spots was honestly fun. Like an obstacle course. I'm serious! (Shortcake)

name

And name-spelling in the snow. There are few things in life as thrilling as a big stretch of undisturbed snow that you are about to have your way with. (Kiki)

 

My Promiscuous Muse

February 15, 2010

I have a promiscuous muse. My muse wants to own every color, work in many media, and in numerous genre. (Mary Klotz)

drift sketch

 

And hooray for the swing of the pendulum, though broody does hold such a special place in my heart.  I’m sure I’ll see it again soon.  No sense mourning the  lack of mourning.  hmpf.  And I suppose it is a more pleasant feeling, but it is not so different from last week’s rage-y-ness.  Crazy is crazy is crazy.  Y’know?

My current task is no longer to prevent falling apart crying in public, but to stop myself from hugging everyone I see.  It’s a little ridiculous.  I mean, where is the balance?  Could we please just find a comfortable little monotonous feeling, maybe?  (Or, not.  That would be boring.) 

Also, I’m having to really work today at focusing on mundane tasks.  The voices that are singing melodies and telling me about the scenes I missed, and the images that are poised and ready for paper are all bouncing off of the walls and into one another.  I tell them to wait, but they scoff at the dishes and interrupt picture books and serenade diaper changes.  And then, when I finally sit down at the piano, for example, they are nowhere to be seen (heard).  So I love them, but I sort of hate them, too.

In this state I’ve thought up a few really cheesy ideas.  There is one, in particular, related to this gushy omnibenevolence. I’m trying to keep it under wraps, because it sort of makes me cringe, the cheesiness.  But I’m afraid I might burst soon.  So, you know.  Fair warning.

Oh, and P. S., my tube socks have arrived.  Hello.

nightmare

February 8, 2010

hi.

excuse me please, while i have a temper tantrum.

i am just all whiny and piny and altogether feeling like throwing things and screaming.  strangely enough, it’s not a terrible feeling.  i think it would feel really good and not at all negative.  the negative part is not being able to do it right now. 

hmpf.

so over the weekend (this is not the temper-tantrum.  just my exposed soul, is all.)  i had the worst dream i’ve ever had.  not one of the truly terrifying ones; no loss of a loved one or anything.  i mean like gory, horror-flick style.  i am still quite amazed at the twisted horrificness (nope.  not a word.) that came from the depths of my subconscious.

i’m going to tell you about it, which is sort of a problem because a.) it’s just nasty and not really inspiring blog material, and b.) if you were so inclined, you could analyze a road map of my inner workings.  and i don’t want you to know.  i really don’t.  and yet, i’m telling you.  (idiot.)  so look away if you must.  i will have a lovely guitar-playing, dread-headed, tube-sock-ed girl to post soon, and you can just hold out for that if you came here hoping for loveliness.

this is not lovely.  and also it is long.

there was more to the dream in the beginning, but this is where it got ugly:  it was my first day back to work as a nurse.  the hospital building was dark and there were no patients in the rooms.  the hospital was also sort of a dormitory and maybe a church and had a mental institution vibe.  i stood with three other new workers, and we wondered what we were supposed to be doing.  we figured out that we had been assigned to some experimental project that had, that night, been suddenly abandoned.  the phlebotomist came onto the floor and asked where all of the “scions” were.  (i should note that i woke up from this dream wondering where i came up with the word “scion.”  i can’t ever remember hearing it.  googling it gave me the chills: a descendant or offspring.  a shoot or twig from a plant for grafting.)

we told the phlebotomist that apparently, the project had been abandoned.  she stared at us in horror, then relief, and went running, full-speed, from the room.  slowly, the “scions” or patients or subjects or whatever began to wander into what was like a large surgical area.  they were sort of zombie-like and bloody, but cordial enough.  (ha!) one doctor was with them, and it seemed like he was trying desperately to save the experiment, and he took a few of them into the operating room. 

somehow we new workers ascertained that this experiment or whatever it was was intended to help the human race live to its highest potential.  the scions were people who were dead or dying, their bodies (but not souls) salvaged by some new medication.  the surgeons, we learned, performed procedures not unlike lobotomies, nipping and scraping off different internal organs, trying to find the right combinationfor their ambitious goal.  some of the patients ended up being exceptionally “good,” or moral, after a procedure, some gained genius intelligence, some could actually fly.

as we were learning this all (maybe the surgeon was telling us, as he operated?  i don’t remember), a beautiful blonde woman sat up on her surgical table, her chest oozing new blood upon the old dried blood.  she was screaming and screaming in agony and pain and sorrow, pointing at a stainless steel table across the room.  there, on the small table, sat her heart, bloody and beating.

i backed away slowly, half-listening to the doctor explain that things had started to go terribly wrong.  i quickly found a set of many open doors, and walked outside into a group of scions.  i was about to just walk away, the fresh air felt so fabulous in my lungs.  but i noticed the scions staring at the humans playing in the snow in the distance.  the other workers were with me, and we decided that we could not just let these things escape.  there was a definite sense of martyrdom:  “save the human children!”

suddenly we workers all had bloody swords, and we ushered the scions inside.  it all got really terrifying, then.  they were disgusting and putrid and it was a bloody mayhem amidst the surgical steel hospital equipment.  there were too many, and there was no controlling them.  it became every-man-for-himself, and i was running, opening doors that led only to windowless rooms, finding small openings and squeezing through them only to find another room, often dorm rooms or classrooms or apartments.  i would search under beds for trap doors, climb into empty elevator shafts, scream and pound on locked doors.  it was endless, and each new escape led to another prison.  and all around, there were scions.

at last, i found myself in a darkened hallway, dark rooms with locked doors everywhere.  i noticed the sword still in my hand, and suddenly remembered a rule that i could leave if i took a scion outside with me.  there was a woman in a lobby trying to deal with the chaos, and i was trying to show her my xeroxed rulebook, to point out the rule about escape.  but she could not hear me.  i grabbed a bloody scion anyway, the sword to her neck, and suddenly i noticed a glass window open a crack.  i could hardly contain my emotion.  it opened onto a rooftop, but we were a story or two above that.  i had to muster the courage to jump out, and to kick out the entire window so both of us would fit, but i was desperate, and left with no other choice.

i kicked, i jumped, and then beside me, (real) Shortcake woke me up.  i couldn’t even find the courage to look around the room.  i held my little teddy bear girl and shivered.  to take my mind off of the dream, i imagined a story plot about secret lovers sending letters to post office boxes, and a granddaughter discovering them.  i didn’t go back to sleep for hours.

how bout them apples?

Cue Obsession

February 2, 2010

grace1914

This is a photo of my great aunt Grace on the beach in 1914.

How gorgeous is this?  I could stare at it all day.

Except instead of stare at it, I’m going to develop a roll of film and print out staff paper. *

Because I’ve got my music back. 

I don’t know what happened, but some dam burst in my head.  And suddenly, it is all MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!

Actually, it’s rather annoying.  I mean, seriously.  I must have ADD.  Just do one thing already, right?

But the damn . . . dam.  It’s as if it was always there, the MUSIC!MUSIC!MUSIC! building and building and building, and it just reached this threshold, and fwooooosh.  I can’t really stop obsessing about music right now.  It’s quite obnoxious.

I do tend to be fickle, of course.  And so, surely this too shall pass.  But for now, there is nothing more pressing in my life than to learn to play the electric guitar, and more specifically, to play this one song on it.  And maybe one or two more.  Luckily, I know a guy.**

It was impossible to not be musical growing up in my family.  For as long as I can remember, up until I left the house, it was always MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!  For the rest of them, it still is.  But it hasn’t been, for me, for whatever reason.  I mean, I’ve got a piano sitting in my living room.  And I play it sometimes.  And I’ve even played this one song on it.  But the full moon, and the thought of an electric guitar, these were the last two straws.  Or water molecules.  Or whatever.

fwoooooooooooshhh.

I’m not predicting future mother-of-four rockstardom or anything.  Just, MUSIC!MUSIC!MUSIC!MUSIC!  until I’m bored.

 

* You should know that I forgot to pick up Mowgli from school while searching for this.  Doesn’t the red flag for clinical psychosis have something to do with being unable to perform daily tasks?  shit.

**I’ve known these people for a couple years, and never took the time to listen to their music.  Don’t make the same mistake, go listen right now.  Scroll down and find Hello, Hospital.  RRRRRRRRRRRROCK!

I should let you know straight out that I’m going to talk about tarot cards.

And that this post, once again, contains tube socks.

Are you still with me?

Heh . . . lo?

So this drawing / painting / sketch /whateverthehellyoucallit was supposed to be about patience.  I was thinking about natural intuition, reception—patiently waiting for that small, directive voice in the stillness.  I was deep breathing and feeling all openness and attentiveness and patiennnnnce-ommmmmm.  But then her hair got out of control, and before I knew it, it was all wildness.  And then her face took on an impatient scowl.  And then the restful, crossed arms became tense and ready to burst.

And I saw, not patience, but impatience.  More than a simple restlessness, I saw a woman attempting to restrain herself, trying desperately—and almost sorrowfully—to keep her wildness under wraps, betrayed by her crazy hair. 

 

img748x

watercolor, arches hot press paper

It perplexed me, as those frequently-occurring paradoxes do.  (I!  AM!  ALL!  PARADOX!  It isn’t just me, is it?  Aren’t we all?)  And, to further complicate things (I just said that two blogs ago), my feelings regarding this paradox itself are split.  It is the eight of swords vs. the red shoes.

Are you still with me?

Heh . . . lo?

Journey with me, if you will, into my soul.  Oh, come on, it’ll be fun!  Does this restlessness-emerging-from-patience-piece point to this or that?

The eight of swords.  (this)

Tarot cards are, despite what you might think, not about fortune-telling, but about inner journey.  I am a visual person (obviously?), and the images on the cards can really assist me in finding psychological, philosophical, and spiritual clarity.  They mirror aspects of nature and of soul, which, perhaps, are one and the same anyway.

I first saw the card years ago, when Dimples was a baby, and I was in the depths of some Postpartum Depression / darkness / soulcraft-ish descent.  My cousin Amy and I would play with tarot cards, then she would babysit as I went crying to my therapist.  The eight of swords came up in a reading for me, and I considered the image: a blindfolded woman, arms loosely bound behind her back, standing in the center of eight swords (go figure!) that had been thrust into the ground around her like a cage. 

Yes!  I thought.  This is me!  Bound and constrained by motherhood and culture and circumstance, unable to fulfill my potential!  But when we studied the card further, we realized that the woman was not so terribly constrained.  She could easily escape the “cage,” and could free her hands and eyes with little effort.  Instead of relief, I felt offended.  If I were not a victim of my circumstances, if I could simply remove my blindfold and carry on . . .  Well, that was quite a lot of responsibility.  “Victim” was so much easier.

So “this” is one thought that came as I considered the drawing.  Have I given myself a new mental straight jacket?  Is there something inside me (some creativity, project, wildness) that is screaming to get out, and am I holding it back for some unnecessary and imaginary purpose?

–OR–

The red shoes.  (that)

To further encourage the eye-rolling of my most cynical readers, I will now, once again, allude to a story in the book Women Who Run With The Wolves.

Heh . . . lo?

The tale of the red shoes is, in short, about a resourceful little peasant girl who fashions for herself a  pair of red shoes.  One day, a rich old civilized lady takes the girl to live with her, gives her new clothes and shoes, and burns her old things.  The old red shoes had been so special to the little girl, that she tricks the old woman into buying her a new pair of (scandalous!) red shoes.  The girl becomes obsessed with these new shoes, and even when she has had a taste of their power (they magically cause her feet to dance, taking control), she craves them.  In the end, the shoes take over, dancing wildly and threatening, essentially, to kill her with exhaustion.  She is unable to remove them, and so, desperate, she asks a woodsman to chop off her feet.

The author (Clarissa Pinkola Estes) compares the little girl to a feral woman—originally and naturally wild (handmade red peasant shoes), but confined like a depressed animal at the zoo (shoes/wildness burned, child civilized).  Sighting the new red shoes is similar to when that caged animal (or woman!) snaps, remembering that bit of wildness that remains within.  But instead of having the knowledge or opportunity to reincorporate the natural way of being, she latches desperately onto anything wild-ish, even at the risk of losing complete control.  The girl dancing like a lunatic in pretty red shoes, the snarling tiger who suddenly turns and attacks the loyal zookeeper, the well-behaved mother who suddenly loses her mind, or becomes addicted to something dangerous, or abandons her family for the cruise ship attendant. 

I mean, not that I have a cruise planned anytime soon.  But you know what I mean.  (Do you know what I mean?)

And so in this light, restraint can be a good, natural, healthy thing.  It can be having the patience to ignore the flashy red shoes and holding out for what you intuitively know to be your thAng, or just hanging on to your old handmade shoes in the first place.  And so is it “that” that I’m seeing here?  Sort of an alert patience?

–OR–

None of the above, it was just a millimeter of a stray brushstroke on her eyes, or the espresso. 

 

(Now all of this passed through my conscious thoughts in approximately 15 seconds—-Eight of swords?  The red shoes?  Espresso?—-but it took, like a billion hours to write.  It would be so much easier if you could just understand my thought processes next time.  Thank you.)

Be Merry

December 22, 2009

 

TAF_1047x

. . . and I’ll see you next year.

TAF_1231x

Do you remember saying that as a kid, before winter break?  I’ll see you next year.  Get it?  Because it will  be next yeeeear?  I remember marvelling at the fact that the year would soon be 1985.  Hadn’t it always been 1984?

And now I’m feeling childish.  So let’s play a game, for the rest of the entire year!  Let’s write a story in the comments.  One sentence per comment, but write as often as you’d like, anonymously or not.

If you comment before January 1st, and email me (terri @ terrifischer .com) or facebook/twitter me with your address, I’ll send you something!

Once upon a time . . .

DSC_0627x

see? blue cast. photoshop fail.

Today I received a mini lecture about a homework folder.  I’m sure it was as simple as “Mowgli didn’t bring his folder to school today,” but I only heard: “You are a failure as a mother, and your children are destined to become even more terrible failures than you, thanks to your parenting ineptitude.”

When I got home, there was mascara all over my face.

Now, granted, it is a new moon today, plus, nature is just about as dark as she gets right now.  And however skeptical you might be about nature’s effects on the soul, the new moon does at least have physical implications for me.  (read: P. M. fucking. S.) 

Anyway.  I came home—drippy mascara, hungry kids, and all; and went online to place another photo order.  While the order was uploading, I (surprise!) went on to facebook, where a friend admitted to having a bad day.  It was a simple, honest sentence, but was more comforting to me, in that ridiculously depressive moment, than any other words or actions could have been.  Beyond support, advice, or sympathy, it sometimes is just nice to know that you’re not alone. 

I know. I know how obnoxiously weepy and sappy and whiny that sounds if your life is perfect and you are never sad.  (Seriously?  Your life is perfect, and you are never sad?  Wow.  Bitch.)  But for those of us humans, we actually find great comfort and connection in one another’s imperfections.  It’s true, isn’t it?  Don’t you feel closer to a person once you’ve seen their soft underbelly, their endearing (and not so endearing) flaws, their mistakes and secrets?  Or worse, their mundane?

So why in the world do we try so desperately to hide those things?  We flaunt what ”should” be flaunted, and hide what “should” be hidden (including our sadness).  And then we, wearing mascara and perfection, disconnect.

I had a similar conversation with a friend the other day, and she remarked on what a vicious cycle it is: the attempt to connect by appropriately flaunting and hiding and fitting into stereotypes, which, in turn, only causes more loneliness.  Counterproductive.

I was feeling all smug and non-people-pleasy then, like, psssh.  glad i’m not like that.  pssssh. 

Until I thought about what it would be like to meet, in person, some friends I know only through this here electronic device.  And it made me feel socially anxious–a feeling I am not at all familiar with.  I realized that this is totally different than the normal way of getting to know someone.  You people know me at my most manic depressive.  I flash my soul here, in words and pictures and drawings like I would never do over a casual cuppa, yet you would not even recognize me in passing.

Someone directed me to this post by Jen Lee that says it perfectly.  “Being new friends is sometimes about breaking the bad news to each other.”  My confession, my soft underbelly (no pun intended), is more about how normal and relatively boring I actually am.  And so, without further ado, I’m breaking the bad news, a few of my horrifyingly mundane attributes:

 (these will not be making it to the christmas cards.)

~ I have ugly feet.  I mean, who doesn’t have ugly feet?  But apparently, mine are even that much uglier.

~ My dreadlocks really have nothing at all to do with a spiritual journey.  It’s just another hairstyle.

~ I have really short, stubby fingers.  Bad for arpeggios, good for trills.

~ In a matter of minutes, I can be all three of these things: extremely happy, painfully sad, and completely apathetic.  Quite frequently, actually, this is the case.  (Did you know that already?)

~ Currently, my comfortable jeans are a size 12.  And I have neither ambition nor desire to change that fact.  I’m fine with it, but if exercise and dietary discipline are virtues, then fat is a fault.

~ I’m not terribly good at photoshop (obviously?).  AND I use (prepare yourselves, photographers!!!) Photoshop Elements.

~ I don’t wear sunscreen because I like how I look with a tan.

~ I am likely the messiest person you’ll ever know.  Seriously.  (Tell ‘em, real life friends.)

~ I live in the most standard ranch house ever.  And I don’t.  Have.  Anything.  Hanging.  On.  My.  Walls.  (except something I will tell you about later.)

~ I don’t at all take care of things like DVDs (Hi, Jessica!), TVs, laptops, carpets, . . . oh, anything really.  I don’t take care of material things.

~ I was the homecoming queen.

~ I don’t send Christmas cards.

So, I wrote a book in a month, I guess.  And this is how I feel:

 calvin

 

Today, I it’s as if I entered a time warp on October 31st and ended up here.

I’m staring and walking in circles and maybe drooling a little.

So, yeah.  I’ve learned a helluva lot from this experience.  And I’ll get back to you about that…

tomorrow.

“I’ll do it in December,” which has been my NaNoWriMo mantra.  I’m afraid of all of the things I’ve promised December.

Tonight, which, by the way, is still November, I will have a glass of wine.  Or two, or three.

And then I’ll go to sleep before midnight for the first time (literally), in thirty days.

Because, look.  I won.

nano_09_winner_120x240

Sugar, Sugar

November 5, 2009

Forgive me, readers, for I am sinning—breaking my own no-blogging-until-NaNoWriMo-word-count-goal-is-reached rule.  I am only a hundred or so short for the night, but I have just finished an important scene, and now the characters change for a bit.  So I need to change my frame of mind.  Fuck Lay off.

I’m just going to share a few random things that are making me crazy-happy-giddy today.  Please excuse my sickening cheerfulness.

Crazy-happy-giddy moment of synchronicity:  First, you must know that the white lily and the red poppy have been important symbols in the book that I am writing.  I won’t go into details, but I have focused on these two flowers extensively, as they represent the two main characters.  OK then.  So.  I brought Kiki to an art class at our small local art museum last night.  I have been spending the hour and a half of her Wednesday night class time in the library next door in quiet, blissful, aloneness.  This week was the first Wednesday of NaNoWriMo, so I brought along my laptop, excited to have this stretch of undisturbed writing time.  Usually, because the exhibits are closed by that time, the lights are all off in the museum.  But last night, the lights were on, and the large mural that was in the front hall was replaced by an exhibit of flower paintings.  In the center of the paintings, the focal points and the largest pieces, were two flowers: a single white lily and a single red poppy.  Giddy.  “O.K. then, Universe.  I catch your drift.”  (I did not say this out loud.)

Roulottes.  I have decided that I will be dragging my family, from now on, around with me in a gypsy caravan.  (To which Hercules, reading over my shoulder, just replied, “There are six of us, Terri.”)  I have a grand scheme planned: mountains, meandering stream, and a few of our favorite families, each with their own roulotte (or two).  A central space for gathering, a communal cellar . . .  C’mon.  Let’s do this.  Yes?  If anything, I think I will be getting even more gaudy than ever.  This all makes me out of my mind crazy-giddy.  It’s possible . . .

Honey, Honey.  I sang this song to Shortcake last week, and it made her giggle uncontrollably.  Since then, she requests it for lullabies, wants it played continuously on the computer, and she sings and dances to it with ferocious passion.  She prefers “you are my candy baby,” and will correct me if I slip.  It is the cutest thing ever.  Giddy-happy.  Indeed.