Posts Tagged ‘i may or may not be losing it’

particularly myself

March 5, 2010

There is no escape.  You can’t be a vagabond and an artist and still be a solid citizen, a wholesome, upstanding man.  You want to get drunk, so you have to accept the hangover.  You say yes to the sunlight and your pure fantasies, so you have to say yes to the filth and the nausea.  Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death.  Say yes to everything, shirk nothing, don’t try to lie to yourself.  You are not a solid citizen, you are not a Greek, you are not harmonious, or the master of yourself, you are a bird in the storm.  Let it storm!  Let it drive you!  How much you have lied!  A thousand times, even in your poems and books, you have played the harmonious man, the wise man, the happy, the enlightened man.  In the same way, men attacking in war have played heroes, while their bowels twitched.  My God, what a poor ape, what a fencer in the mirror, man is -particularly the artist – particularly the poet – particularly myself!

Herman Hesse, from Wandering

 

mowgli, appropriately wild.  tri-x pushed in mamiya c330
mowgli, appropriately wild. tri-x pushed in mamiya c330

We now interrupt our regularly scheduled upswing with . . .

everything

and 

mental

 

By the time I descended into my lair to get some crazy out last night, I fucked up an attempt to do an ink wash of yesterday’s sketch.  And so I was infuuuuuuriated with myself.  Because I could have developed film or played the guitar or painted a watercolor or worked on that terrible opening chapter.  And those thoughts made me more insane because then I decided that I am just an all-around absolute loser, of course.  Why must I (TRY to) do everything?  My muse is not just promiscuous, she is a whore.  Because she makes it so that I am not even good at anything.

(I am not looking for pity or smoke up my ass, here.  I am just spilling.  So pleeeeease, so help me, don’t.)

I’m a little thrown off by this.  And I’m kind of spinning in circles.  And I’ll do some business things when I can today, like working on the photography website and ordering shipping supplies.  Good, concrete, boring things.  And I will have a friend here for coffee, and I will screw a few hinges onto my cupboard doors.  And, of course, I will mother as a verb.  But I can’t promise that I won’t just go ahead and have a breakdown.  Which makes me feel weak and stupid and lonely, because who feels this way, really?  I mean, pull yourself together, woman!  There are real problems in this world!  Remember how you felt about your fellow college students who complained about their art woes while you studied organic chemistry and microbiology?  Where is that one chick?  Maybe she was just a sad, jealous, trapped little thing.  But maybe we could buck up and channel her today?  Huh?  You lunatic? 

 

Shoot.  I’ve just realized that there are people that blog to uplift and inspire other people, and not to talk to themselves in public.

And so I’m going to try really hard to post something normal-bloggy tomorrow.

*curtsy*

Durga in A minor

February 9, 2010
If you have never been called a defiant, incorrigible, impossible woman… have faith… there is yet time.
Clarissa Pinkola Estes
watercolor on arches hot press paper

watercolor on arches hot press paper

 This may be redundant, but listen.  The last couple days have plunged me into some ridiculous, epic journey of self-loathing and rage-y despair.  It was not so much a passive state of depression, but an active fury.  When I said I wanted to throw a temper tantrum, I totally meant it.  I was hard-core craving broken dishes on the driveway and screaming and kicking and throwing.  The desire was really just for the sake of the feeling of it, but more subtly, I suppose, it was the if-i-can’t-have-EVERYTHING!-exactly-how-I!!-want-it-and-NOW!-then-i-will-throw-a-fit . . . thing.  And not being able to throw fits all day long was like being told by the obstetrician to not push.

And, oh!  Look at the moon.  It is a little waning thing.  How predictable.  I hate myself for being so fucking predictable! 

(Just kidding.  But if I would’ve said that yesterday, I probably would’ve meant it.) 

 And so it was in this state that I did this painting.  I’m borrowing this guitar, if you remember, and although I’ve previously never learned anything beyond the first three chords in Harvest Moon or a Nirvana riff or two, I’m trying to get my rock on.  I really am quite terrible at it thus far, and my fingertips are red and swollen and sore, and hooray for a very easy E minor chord, but still, it just feels sooooo damn good to play it really loud.  It is also a good thing to have around when one is craving a temper tantrum.

A part of my self-loathing was regarding my inability to just be calm and sweet and nice.  I mentally noted one failed attempt at Zen, F minor, housewifery, and altogether goodness . . . after another.  I did try to wrangle it in, the crazy.  I was bringing my attention to that which is, but it turns out that that which was was the ridiculous desire to scream and swear and maybe even to bite.  Sometimes what presents itself is the painfully beautiful glitter of snow, and other times it is just, you know, biting. 

Considering the honesty of the emotion made me think (with a little help from my friend), waitaminutehere.  Maybe this is OK, simply feeling what there is to feel, as opposed to denying, or worse, becoming completely out of touch with, extreme emotion.  (And also, she told me that someone called a picture of me cute.  Ah, flattery.)  Fiery is a part of me, and trying to be “good” and “nice” is sometimes especially exhausting.  I woke up thinking about archetypes, and trying to remember some of the goddess myths that would point to the fierce aspect of the divine feminine.  And, so hooray for facebook, where Chameli mentioned Durga.  I cued up Ragani’s “Durga” on my iPod, and I named my painting after her.

 I’m putting the original up on my Etsy, as well as a few prints of both this rocking Durga and The Selkie.  The prints have not yet arrived from the printer, and so I’m listing them at a discount until they do (I am such the terrible businesswoman!).  You’ll get them cheaper for being a little risky and patient.  Apropos.

***EDITED TO ADD: the 8×10 prints have sold, already!  I’ve just listed the 5×7.***

nightmare

February 8, 2010

hi.

excuse me please, while i have a temper tantrum.

i am just all whiny and piny and altogether feeling like throwing things and screaming.  strangely enough, it’s not a terrible feeling.  i think it would feel really good and not at all negative.  the negative part is not being able to do it right now. 

hmpf.

so over the weekend (this is not the temper-tantrum.  just my exposed soul, is all.)  i had the worst dream i’ve ever had.  not one of the truly terrifying ones; no loss of a loved one or anything.  i mean like gory, horror-flick style.  i am still quite amazed at the twisted horrificness (nope.  not a word.) that came from the depths of my subconscious.

i’m going to tell you about it, which is sort of a problem because a.) it’s just nasty and not really inspiring blog material, and b.) if you were so inclined, you could analyze a road map of my inner workings.  and i don’t want you to know.  i really don’t.  and yet, i’m telling you.  (idiot.)  so look away if you must.  i will have a lovely guitar-playing, dread-headed, tube-sock-ed girl to post soon, and you can just hold out for that if you came here hoping for loveliness.

this is not lovely.  and also it is long.

there was more to the dream in the beginning, but this is where it got ugly:  it was my first day back to work as a nurse.  the hospital building was dark and there were no patients in the rooms.  the hospital was also sort of a dormitory and maybe a church and had a mental institution vibe.  i stood with three other new workers, and we wondered what we were supposed to be doing.  we figured out that we had been assigned to some experimental project that had, that night, been suddenly abandoned.  the phlebotomist came onto the floor and asked where all of the “scions” were.  (i should note that i woke up from this dream wondering where i came up with the word “scion.”  i can’t ever remember hearing it.  googling it gave me the chills: a descendant or offspring.  a shoot or twig from a plant for grafting.)

we told the phlebotomist that apparently, the project had been abandoned.  she stared at us in horror, then relief, and went running, full-speed, from the room.  slowly, the “scions” or patients or subjects or whatever began to wander into what was like a large surgical area.  they were sort of zombie-like and bloody, but cordial enough.  (ha!) one doctor was with them, and it seemed like he was trying desperately to save the experiment, and he took a few of them into the operating room. 

somehow we new workers ascertained that this experiment or whatever it was was intended to help the human race live to its highest potential.  the scions were people who were dead or dying, their bodies (but not souls) salvaged by some new medication.  the surgeons, we learned, performed procedures not unlike lobotomies, nipping and scraping off different internal organs, trying to find the right combinationfor their ambitious goal.  some of the patients ended up being exceptionally “good,” or moral, after a procedure, some gained genius intelligence, some could actually fly.

as we were learning this all (maybe the surgeon was telling us, as he operated?  i don’t remember), a beautiful blonde woman sat up on her surgical table, her chest oozing new blood upon the old dried blood.  she was screaming and screaming in agony and pain and sorrow, pointing at a stainless steel table across the room.  there, on the small table, sat her heart, bloody and beating.

i backed away slowly, half-listening to the doctor explain that things had started to go terribly wrong.  i quickly found a set of many open doors, and walked outside into a group of scions.  i was about to just walk away, the fresh air felt so fabulous in my lungs.  but i noticed the scions staring at the humans playing in the snow in the distance.  the other workers were with me, and we decided that we could not just let these things escape.  there was a definite sense of martyrdom:  “save the human children!”

suddenly we workers all had bloody swords, and we ushered the scions inside.  it all got really terrifying, then.  they were disgusting and putrid and it was a bloody mayhem amidst the surgical steel hospital equipment.  there were too many, and there was no controlling them.  it became every-man-for-himself, and i was running, opening doors that led only to windowless rooms, finding small openings and squeezing through them only to find another room, often dorm rooms or classrooms or apartments.  i would search under beds for trap doors, climb into empty elevator shafts, scream and pound on locked doors.  it was endless, and each new escape led to another prison.  and all around, there were scions.

at last, i found myself in a darkened hallway, dark rooms with locked doors everywhere.  i noticed the sword still in my hand, and suddenly remembered a rule that i could leave if i took a scion outside with me.  there was a woman in a lobby trying to deal with the chaos, and i was trying to show her my xeroxed rulebook, to point out the rule about escape.  but she could not hear me.  i grabbed a bloody scion anyway, the sword to her neck, and suddenly i noticed a glass window open a crack.  i could hardly contain my emotion.  it opened onto a rooftop, but we were a story or two above that.  i had to muster the courage to jump out, and to kick out the entire window so both of us would fit, but i was desperate, and left with no other choice.

i kicked, i jumped, and then beside me, (real) Shortcake woke me up.  i couldn’t even find the courage to look around the room.  i held my little teddy bear girl and shivered.  to take my mind off of the dream, i imagined a story plot about secret lovers sending letters to post office boxes, and a granddaughter discovering them.  i didn’t go back to sleep for hours.

how bout them apples?

Threshold

February 4, 2010
bowels

crumpet on tri-x film pushed, in mamiya tlr

 

What would happen if one woman told the truth about her life?  The world would split open.

~Muriel Rukeyser   (found on this blog, upon which I am currently crushing.)

 

I often consider the concept of threshold, perhaps because I am drawn to dance alongside it.  I wonder about the paradox of a thing, and about the point beyond which the pendulum swings the other way.  Things like . . .

breaking point breakdown conception suicide insanity orgasm death critical mass critical condition trigger release love affair hibernation hope for salvation loss of balance fucked up childhood one or the other friendly or flirty funny or crude aloof enlightened condescending wise light dark fear pain belief ecstasy lithium saturation

the level of calcium in a cell of cardiac tissue that, when reached, causes the heart to contract.

the crescendo of a feeling or desire that is secret or repressed or denied or ignored and the little thing that breaks the shell, allowing it to wreak havoc on any pathetic attempt at pretense.

. . . and such.

(ahem)

 

It is this bottom of the stairwell, head in hands, on the threshold of insanity feeling that inspired this following little ditty a few months ago, and in turn, I decided to write Motherhood, The Musical.  (I’m totally kidding, of course, but it has a certain ring, doesn’t it?)  It seems the depths of winter are inspiring quite a few of these moments in quite a few of my friends.  I wish I could sing this for you, because I crack myself up, but I can’t figure out how to effectively upload music files.  Anyway.  It’s a waltz:

I’m deep in the bowels of / Motherhood / I’m fertile and sexed and it / Doesn’t feel good / I’ll take all these children / And feed them to wolves / Or I’ll eat them myself / If the damned dogs are full.

Tell me that doesn’t just scream Broadway hit. 

 

Ohmigod.  Please don’t call Social Services.  I’m just kidding.  About the wolves.  Thing.

Cue Obsession

February 2, 2010

grace1914

This is a photo of my great aunt Grace on the beach in 1914.

How gorgeous is this?  I could stare at it all day.

Except instead of stare at it, I’m going to develop a roll of film and print out staff paper. *

Because I’ve got my music back. 

I don’t know what happened, but some dam burst in my head.  And suddenly, it is all MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!

Actually, it’s rather annoying.  I mean, seriously.  I must have ADD.  Just do one thing already, right?

But the damn . . . dam.  It’s as if it was always there, the MUSIC!MUSIC!MUSIC! building and building and building, and it just reached this threshold, and fwooooosh.  I can’t really stop obsessing about music right now.  It’s quite obnoxious.

I do tend to be fickle, of course.  And so, surely this too shall pass.  But for now, there is nothing more pressing in my life than to learn to play the electric guitar, and more specifically, to play this one song on it.  And maybe one or two more.  Luckily, I know a guy.**

It was impossible to not be musical growing up in my family.  For as long as I can remember, up until I left the house, it was always MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!MUSIC!  For the rest of them, it still is.  But it hasn’t been, for me, for whatever reason.  I mean, I’ve got a piano sitting in my living room.  And I play it sometimes.  And I’ve even played this one song on it.  But the full moon, and the thought of an electric guitar, these were the last two straws.  Or water molecules.  Or whatever.

fwoooooooooooshhh.

I’m not predicting future mother-of-four rockstardom or anything.  Just, MUSIC!MUSIC!MUSIC!MUSIC!  until I’m bored.

 

* You should know that I forgot to pick up Mowgli from school while searching for this.  Doesn’t the red flag for clinical psychosis have something to do with being unable to perform daily tasks?  shit.

**I’ve known these people for a couple years, and never took the time to listen to their music.  Don’t make the same mistake, go listen right now.  Scroll down and find Hello, Hospital.  RRRRRRRRRRRROCK!

Do You Work?

January 29, 2010

Oh, the cliche.  A stay-at-home-mom gets asked that question.

Today, at the bank drive-through:

teller:  Hello, welcome to Blahblahblah Bank.

me:  Hi, I’d just like to cash this check, and I need a pen, please.

teller:  Do you work?

awkward, prolonged silence

me: Excuse me?

teller: Do you work.  Are you e m p l o y e d.  (clearly and loudly, as if suddenly I was non-English-speaking and hearing-impaired)

me (lasers shooting from my eyes):  No.

teller: Oh.  Well, that’s OK.  That’s fine, I just . . . if you worked . . . there is a Work Perks program . . . and I would send it to you . . .  and rewards . . . and . . . if . . . but you don’t . . . so . . .

me (exposing canines):  grrrrrrrrrrrrrrrowl.

She didn’t even send a fucking sucker in the tube.

 

I will save you the bitchy yeah-I-too-was-once-a teller-when-i-was-EIGHTEEN-and-I’d-take-that-stupid-job-again-any-day rant.  After the growling, I smiled and am now completely “over it.”  I guess I was a little sensitive to the at-home mama stigma today.  Just before the bank, a fellow RN-turned-SAHM and I had been waxing nostalgic about our old jobs in which we used to make life and death decisions.  And exercise our actual brain cells.  And get lots of money for it.

But then there was this,

TAF_1542

. . . and of the brain-cell using full-time working mamas of young kids, I thought:  suckers.

frivolous nonsense the first

January 24, 2010

 I’ve just crocheted a fucking doily.

TAF_1532x

A doily!  If that fact does not inspire you to conclude that there is something  s e r i o u s l y  wrong with me, then I’m sorry, but there is something  s e r i o u s l y  wrong with you.  And, I mean, I didn’t even do it well.  But here is the worst part.  Oh, I don’t even know if I can say it.  Here I go.  Letting it out.  Confessing . . .

I liked it.

OHMYGOD !!!  The shock and horror.  I, too, am gasping aloud.  It is just shameful.  I am ashamed. 

In my next post, I am going to try to desperately salvage my honor from the bottom of this stinking pile of shame.  I’m going to tell you the story of “frivolous nonsense.”  Perhaps, then, you will understand my compulsive desire to frequently do nonsensical things.  Perhaps, then, you will forgive me.

But since we are on the subject of frivolous nonsense, check this out.  Have you heard of formspring?  Pretty please ask me a question.  It will be fun, in a frivolous-nonsensical way.  Maybe.

Also, I am going to start replying to comments via email.  “That’s all I have to say about that.”  (Not in a big-dramatic-I-can’t-say-anything-dot-dot-dot sort of way, but in a I-really-just-have-nothing-else-to-say-regarding-that-subject sort of . . . way.)

Also, I did not forget about you brave warriors who contributed to that failure of a New Year’s story we tried to write.  I’ve finally decided what I’m going to send you and I’ll show you with the next post.  But I need your addresses!

Happy Monday, or Happy Last Few Hours of Sunday, whichever applies.

(ohandbythewayiamgoingtostarttakingclientsagainandalsoimopeninganetsystorebutillgettothatlaterokbye)

 

img767x

 

 

 from my moleskine today:

{yes. there are dishes and there is laundry and there is the floor, which Karen Maezen would suggest attending to attentively.  and zen . . . . . “meditation” according to the man in orange robes is “doing what needs to be done joyfully mindfully etcetera” but it always seems like this is the thing that “needs” to be done and so then what is the other stuff?}

I should let you know straight out that I’m going to talk about tarot cards.

And that this post, once again, contains tube socks.

Are you still with me?

Heh . . . lo?

So this drawing / painting / sketch /whateverthehellyoucallit was supposed to be about patience.  I was thinking about natural intuition, reception—patiently waiting for that small, directive voice in the stillness.  I was deep breathing and feeling all openness and attentiveness and patiennnnnce-ommmmmm.  But then her hair got out of control, and before I knew it, it was all wildness.  And then her face took on an impatient scowl.  And then the restful, crossed arms became tense and ready to burst.

And I saw, not patience, but impatience.  More than a simple restlessness, I saw a woman attempting to restrain herself, trying desperately—and almost sorrowfully—to keep her wildness under wraps, betrayed by her crazy hair. 

 

img748x

watercolor, arches hot press paper

It perplexed me, as those frequently-occurring paradoxes do.  (I!  AM!  ALL!  PARADOX!  It isn’t just me, is it?  Aren’t we all?)  And, to further complicate things (I just said that two blogs ago), my feelings regarding this paradox itself are split.  It is the eight of swords vs. the red shoes.

Are you still with me?

Heh . . . lo?

Journey with me, if you will, into my soul.  Oh, come on, it’ll be fun!  Does this restlessness-emerging-from-patience-piece point to this or that?

The eight of swords.  (this)

Tarot cards are, despite what you might think, not about fortune-telling, but about inner journey.  I am a visual person (obviously?), and the images on the cards can really assist me in finding psychological, philosophical, and spiritual clarity.  They mirror aspects of nature and of soul, which, perhaps, are one and the same anyway.

I first saw the card years ago, when Dimples was a baby, and I was in the depths of some Postpartum Depression / darkness / soulcraft-ish descent.  My cousin Amy and I would play with tarot cards, then she would babysit as I went crying to my therapist.  The eight of swords came up in a reading for me, and I considered the image: a blindfolded woman, arms loosely bound behind her back, standing in the center of eight swords (go figure!) that had been thrust into the ground around her like a cage. 

Yes!  I thought.  This is me!  Bound and constrained by motherhood and culture and circumstance, unable to fulfill my potential!  But when we studied the card further, we realized that the woman was not so terribly constrained.  She could easily escape the “cage,” and could free her hands and eyes with little effort.  Instead of relief, I felt offended.  If I were not a victim of my circumstances, if I could simply remove my blindfold and carry on . . .  Well, that was quite a lot of responsibility.  “Victim” was so much easier.

So “this” is one thought that came as I considered the drawing.  Have I given myself a new mental straight jacket?  Is there something inside me (some creativity, project, wildness) that is screaming to get out, and am I holding it back for some unnecessary and imaginary purpose?

–OR–

The red shoes.  (that)

To further encourage the eye-rolling of my most cynical readers, I will now, once again, allude to a story in the book Women Who Run With The Wolves.

Heh . . . lo?

The tale of the red shoes is, in short, about a resourceful little peasant girl who fashions for herself a  pair of red shoes.  One day, a rich old civilized lady takes the girl to live with her, gives her new clothes and shoes, and burns her old things.  The old red shoes had been so special to the little girl, that she tricks the old woman into buying her a new pair of (scandalous!) red shoes.  The girl becomes obsessed with these new shoes, and even when she has had a taste of their power (they magically cause her feet to dance, taking control), she craves them.  In the end, the shoes take over, dancing wildly and threatening, essentially, to kill her with exhaustion.  She is unable to remove them, and so, desperate, she asks a woodsman to chop off her feet.

The author (Clarissa Pinkola Estes) compares the little girl to a feral woman—originally and naturally wild (handmade red peasant shoes), but confined like a depressed animal at the zoo (shoes/wildness burned, child civilized).  Sighting the new red shoes is similar to when that caged animal (or woman!) snaps, remembering that bit of wildness that remains within.  But instead of having the knowledge or opportunity to reincorporate the natural way of being, she latches desperately onto anything wild-ish, even at the risk of losing complete control.  The girl dancing like a lunatic in pretty red shoes, the snarling tiger who suddenly turns and attacks the loyal zookeeper, the well-behaved mother who suddenly loses her mind, or becomes addicted to something dangerous, or abandons her family for the cruise ship attendant. 

I mean, not that I have a cruise planned anytime soon.  But you know what I mean.  (Do you know what I mean?)

And so in this light, restraint can be a good, natural, healthy thing.  It can be having the patience to ignore the flashy red shoes and holding out for what you intuitively know to be your thAng, or just hanging on to your old handmade shoes in the first place.  And so is it “that” that I’m seeing here?  Sort of an alert patience?

–OR–

None of the above, it was just a millimeter of a stray brushstroke on her eyes, or the espresso. 

 

(Now all of this passed through my conscious thoughts in approximately 15 seconds—-Eight of swords?  The red shoes?  Espresso?—-but it took, like a billion hours to write.  It would be so much easier if you could just understand my thought processes next time.  Thank you.)