Posts Tagged ‘myth’

tri-x in mamiya c330 tlr

tri-x in mamiya c330 tlr

today, i sever the connection to my inner Wisdom with my own hands. 
the Places She leads me, i cannot go because i am weak. 
the Light She shows me, i cannot embody, because i am weak.
the River She floods, i cannot swim, because i am weak.
the Truth She sings, i cannot hear, because i am weak.
the Fruit She offers me, i cannot taste, because i am weak.

this threshold of Knowing is crossed, and so perhaps when i return, the door will be propped open.
but i know i will not return.  i will search my whole life for that elusive gateway, and will not find it.
today i gather scraps of shed skin, and paste them to my face, because i am stupid.
because i am weak.

today i think of Orpheus, and plant seeds in my garden—let them be the Brave ones,
now that the frost has passed.
(but even Orpheus looked back.)

today i recognize that a bird in my backyard has called out,
(as i write this, shortcake says, “look, mama!  a bird!”)
like a reminder of Morning,
and that i chose sleep, as did you, because we are weak.
(did you?)

this is not Bravery.  this is not receptive Stillness.  this is not bold Foolishness.
this is not silent Power.
this is smallness.  because i am weak.
(does anyone have any chocolate?)

 

i’ll add a few inspiring, though not “pretty” links now, to completely contradict everything i just said:

a poem about dancing.  yeow

i’ve always wanted to photograph people in the shower.  check out this series.  yeow.

in case you missed this on my facebook, yeeeow again:

I Raise My Cup

April 12, 2010
one pre-snow, two post-thaw magnolia blossoms.  (digi)

one pre-snow, two post-thaw magnolia blossoms. (digi)

I Raise My Cup To Him – Anais …

 

Pour the wine and raise a cup
Drink up, brothers, you know how
And spill a drop for Orpheus
Wherever he is now

Some birds sing when the sun shines bright
My praise is not for them
But the one who sings in the dead of night
I raise my cup to him

Wherever he is wandering
Alone upon the earth
Let all our singing follow him
And bring him comfort

Some flowers bloom when the green grass grows
My praise is not for them
But the one who blooms in the bitter snow
I raise my cup to him

I raise my cup and drink it up

I raise it high and drink it dry

To Orpheus and all of us
Goodnight, brothers, goodnight

 ~Anais Mitchell, from Hadestown (for which, by the way, I’m in need of either babysitting or a date or both:  Chicago, Sept. 11)

the one who bloomed in the bitter snow. . .

the one who bloomed in the bitter snow. . .

It is different for me to remain objective during the dark of the moon.  But for whatever reason (serotonin receptors saturated with chocolate?  all other receptors saturated with coffee?  extra sunny vitamin D doses?), I am relatively . . . happy.  Receptive, new-moon-ish, but . . . happy.  And in this strange state, I’m noticing that a lot of people aren’t.  I don’t mean un-grateful, un-zen, what’s wrong with all of you pathetic, un-happy people.  I mean tragedy-induced grief, crisis-induced overwhelm, hormones and cycles and hermitage and clinical depression.  Valid shit.

If you’re one of them, I give you a virtual pat on the shoulder and an “I’ve been there.”  Because I have been there; I visit relatively often, actually.  I offer you virtual sympathy, but I don’t do pity (who wants pity, anyway?).  I raise my cup to you, if, like Orpheus, you’re singing in the dead of night.  And I site Rilke as my excuse to virtually slap you in the face if you are faking it, and/or hoping for something better, you “spendthrift of sorrows,” you. 

May I, one day, emerging from this grim vision,
sing jubilation and praise to assenting angels.
May no clearly struck hammer of my heart
fail to sound from slack, doubting, or
breaking strings.  May my tear-filled face
make me more shining; may my simple tears
flower.  how dear will you be to me then,
you nights of affliction.  Why couldn’t I kneel more deeply
     and accept you,
inconsolable sisters, or loosen myself
freely into your loosened hair.  We spendthrifts of sorrows.
How we keep peering beyond them ahead into sad duration,
to see if perhaps they might have an end.  But they are truly
our winter-enduring foliage, the dark green of our life’s meaning,
one season of our secret year—, not only
time—, but also place, settlement, shelter, soil, abode.

Rainer Maria Rilke, from The Tenth Elegy, (trans. Galway Kinnell and Hannah Liebmann)

to them . . .

March 10, 2010

i am
sandwiches on plates
milk in cups

I wrote a poem the other night that started like this.  Except, I don’t actually know what “poem” means.  And so I won’t share it with you as such.  I will, maybe, make the words lyrics someday. 

>>>digression.  I listened to the very end of an interview with Anais Mitchell this weekend on NPR.  I turned on the radio, on my way to my beachy solitary-ing, intent on remaining open to signs and natural instinct.  Of course, then, she was being interviewed for her new folk drama, Hadestown.  Hades!  Persephone!  Orpheus!  Eurydice!  Alright, already.  I get it.  It is time to focus on that damn novel again, apparently.  (ha, ha!  damn!  underworld!  get it?  is this thing on?)  But I bring it up, because she said something like this: ”If you want to be a poet nowadays, you’d better learn how to play the guitar.”  end digression<<<

Essentially, the ”poem” was a list of all the pointless, meaningless things I am to them, these kids.  I realized recently, or remembered, that I am not as important to them as I think I am.  This is both heartbreaking and liberating.  I am the biology that got them here, the biology that facilitates their continued living.  But beyond that, they are independent little bodies, free little spirits.  Usually, I am just getting in their way.  The “poem” ends:

and i can’t help but consider
sea turtles

You know, sea turtles.  Because the mothers abandon their children, as eggs, on the beach.  (tap, tap.  is this thing on?)  I mean, no.  I’m not planning on deserting my babies.  But, really.  Those little hatchlings are perfectly capable.  The species still survives, right?  (Okay.  I just looked this up.  And there are a few different species of sea turtles.  And most of them are endangered.  So nevermind.  Forget the sea turtle thing.  Just forget it.)

And so guess what.  Now Dimples is really sick.  And he needs me.  Go figure.  All lies, these epiphanies.  All lies!

This is the photo that started all of this “independent children” thinking in the first place:

independent shortcake in bath, digital.
independent shortcake in bath, digital.

and another, for good measure:

TAF_1722x

My Experience

March 1, 2010

There are those who would misteach us that to stick in a rut is consistency – and a virtue; and that to climb out of the rut is inconsistency – and a vice. (Mark Twain)

tri-x 400 mf film in mamiya c330, shortcake
tri-x 400 mf film in mamiya c330, shortcake

I often chastise myself for my inconsistency, despite my apparent tendency to praise it.  Or maybe it’s the other way around?  And I don’t, in self-pity, mean inconsistency in skills, but in interests.  

This is not yet another defense or justification of my fickle-ness.  (There are far too many of those on this blog.)  I’m just sharing my thoughts.  I won’t even quote Emerson.  I promise.  But I might quote William Blake.  Yes.  I believe I shall.

Those who restrain desire, do so because theirs is weak enough to be restrained. (William Blake)

I do not have weak desires.  And I have many—some yet restrained, some not.  Here is where I am, regarding a few of the unrestrained ones:  1) in love with this film, and with putting bits of light and shadow on it.  2) in love with my novel again, and with fixing and strengthening it.  3) in love with this new guitar, and with building up these finger calluses.  (not only can i sort of play and sing my funny little nonsense song, but i can also sing and play “blowin’ in the wind,” and so how sexy is that?)  4) in love with pencils and ink and watercolor paper, and working on a new drawing.  5) moonlighting, obviously.

When I think about it, there is this annoying grown-up in me that wags a finger and says things like, “Stop this frivolous nonsense!”  and “Do the dishes!”  and “Go to bed before 1:30 AM!”  and “What is the point?”  and “If you would just focus, maybe you’d finish something.” and “Be responsible.  Make money.”  But when they are quiet, which is most of the time, there is myth and art and music.  And I can’t quite remember why that is a problem.  Myth and Art and Music!  I don’t want to remember why that is a problem.

So, to answer the annoying, finger-wagging, grown-up-me; there is no point, really—that is the recent epiphany.  The only purpose of all of “this” is simply to share my experience of It with a capital I.  If my whore-ish muse wants to flit and float, who am I to stop her?  This is how I experience it: an overwhelm of inspiration and emotion and passion and . . . everything.  And I do what I can to express that experience, simply because I want to.  It’s never enough, I’m never enough, it will never be enough, and yet it is.  And I am.

So there.

Durga in A minor

February 9, 2010
If you have never been called a defiant, incorrigible, impossible woman… have faith… there is yet time.
Clarissa Pinkola Estes
watercolor on arches hot press paper

watercolor on arches hot press paper

 This may be redundant, but listen.  The last couple days have plunged me into some ridiculous, epic journey of self-loathing and rage-y despair.  It was not so much a passive state of depression, but an active fury.  When I said I wanted to throw a temper tantrum, I totally meant it.  I was hard-core craving broken dishes on the driveway and screaming and kicking and throwing.  The desire was really just for the sake of the feeling of it, but more subtly, I suppose, it was the if-i-can’t-have-EVERYTHING!-exactly-how-I!!-want-it-and-NOW!-then-i-will-throw-a-fit . . . thing.  And not being able to throw fits all day long was like being told by the obstetrician to not push.

And, oh!  Look at the moon.  It is a little waning thing.  How predictable.  I hate myself for being so fucking predictable! 

(Just kidding.  But if I would’ve said that yesterday, I probably would’ve meant it.) 

 And so it was in this state that I did this painting.  I’m borrowing this guitar, if you remember, and although I’ve previously never learned anything beyond the first three chords in Harvest Moon or a Nirvana riff or two, I’m trying to get my rock on.  I really am quite terrible at it thus far, and my fingertips are red and swollen and sore, and hooray for a very easy E minor chord, but still, it just feels sooooo damn good to play it really loud.  It is also a good thing to have around when one is craving a temper tantrum.

A part of my self-loathing was regarding my inability to just be calm and sweet and nice.  I mentally noted one failed attempt at Zen, F minor, housewifery, and altogether goodness . . . after another.  I did try to wrangle it in, the crazy.  I was bringing my attention to that which is, but it turns out that that which was was the ridiculous desire to scream and swear and maybe even to bite.  Sometimes what presents itself is the painfully beautiful glitter of snow, and other times it is just, you know, biting. 

Considering the honesty of the emotion made me think (with a little help from my friend), waitaminutehere.  Maybe this is OK, simply feeling what there is to feel, as opposed to denying, or worse, becoming completely out of touch with, extreme emotion.  (And also, she told me that someone called a picture of me cute.  Ah, flattery.)  Fiery is a part of me, and trying to be “good” and “nice” is sometimes especially exhausting.  I woke up thinking about archetypes, and trying to remember some of the goddess myths that would point to the fierce aspect of the divine feminine.  And, so hooray for facebook, where Chameli mentioned Durga.  I cued up Ragani‘s “Durga” on my iPod, and I named my painting after her.

 I’m putting the original up on my Etsy, as well as a few prints of both this rocking Durga and The Selkie.  The prints have not yet arrived from the printer, and so I’m listing them at a discount until they do (I am such the terrible businesswoman!).  You’ll get them cheaper for being a little risky and patient.  Apropos.

***EDITED TO ADD: the 8×10 prints have sold, already!  I’ve just listed the 5×7.***

selkie

February 1, 2010
watercolor and ink on arches hot press watercolor paper

watercolor and ink on arches hot press watercolor paper

 

As Shortcake was making her way into the world, I was listening to Aine Minogue’s (an Irish harpist, singer, and folklorist) song The Selkie on my iPod.    It’s beautiful, and it resonated deeply with me the first time I heard it.  But I had no idea what she was saying!  I had heard of the mythological selkie, but knew only that it had something to do with water. 

Recently, the Celtic myth of the selkie has come back into my life en force.  She is a shape-shifter, a sea creature whose sealskin allows her to live in the depths of the ocean.  Her home is there, in Sule Skerry, but she can take off her sealskin and become human for a short time as well.  In the myth I’ve just read, a human man falls in love with her in this form, as she is sunning herself on the warm rocks, and she becomes his wife.  The husband (jackass!) hides her sealskin, so she remains on land, gives birth to his son, and starts to get all parched and peely and icky.  She can live without her sealskin, but only for so long (7 years, I think?) before she needs to return to her watery home.  It is her son who later finds her sealskin, and she returns to Sule Skerry.  Her son is able to travel between the two worlds, and he is who I really identify with.  But enough about me . . .

Here the selkie looks out to the ocean, dreaming of Sule Skerry and longing for her sealskin, pregnant with the child who will eventually aid her return.

I know this feeling well.  Don’t you?

I’ve listed the original painting on my Etsy, and will be listing prints soon.

(Destruction and) Renewal

January 5, 2010
watercolor on arches hot press, ink/digital

watercolor on arches hot press, destroyed with ink/digital

And so, apparently, my muse is pregnant.  And hott.  And she wears tube socks.  I can’t shake the tube socks.  But she is unable to tell me how to stop ruining everything. 

I began my routine of late-night art Mondays last night.  I developed a crappy roll of film–an entire roll of images I knew I didn’t need to take; began a beautiful ink drawing, but screwed it up by ignoring my intuition to just stop; then made this watercolor and destroyed her, too.  This one I “destroyed” by getting crazy with the ink. 

What you see here is my desperate attempts on photoshop to cover the ink mess.  Desperate attempts=digitally making most of the inky crap black.  I think I made it even worse.  It looked really good when it was all white.  Sort of unfinished, but in a good, wispy way.  And then, as I had just done with the ink drawing, I ignored that little voice that said “that is enough,” and assaulted it with black ink.

I am on a “ruin everything” mission, it seems.  Yesterday, I forgot to add salt to the bread, and ruined it, which, in turn, ruined the cinnamon rolls I made with the same dough.  And there was last night’s mess of an art session.  And today I ruined what should have been a really good curry dish for lunch.  I mean, Julie ate it.  And had seconds.  But it was RUINED!  RUINED, I TELL YOU!

I’m reading Women Who Run With The Wolves (a title that Hercules had a hard time checking out from the library for me), and I’ve just read a tale about a girl who, essentially, carried a magical doll in her pocket that told her what to do: turn left, turn right, stop talking.  I’ve got that magical doll, we all have that intuition.  I think my current task is to remember how to listen to her.

I think I get it.  I do think I hear her (so many voices up in here).  I do think that I can decipher between internal and external.  But I tend to disobey.

The Illustration Friday prompt is “Renewal.”  I had read that a couple days ago, and remembered it as “Rebirth.”  Close enough, right?  My intuition tells me “yes.”

Sugar, Sugar

November 5, 2009

Forgive me, readers, for I am sinning—breaking my own no-blogging-until-NaNoWriMo-word-count-goal-is-reached rule.  I am only a hundred or so short for the night, but I have just finished an important scene, and now the characters change for a bit.  So I need to change my frame of mind.  Fuck Lay off.

I’m just going to share a few random things that are making me crazy-happy-giddy today.  Please excuse my sickening cheerfulness.

Crazy-happy-giddy moment of synchronicity:  First, you must know that the white lily and the red poppy have been important symbols in the book that I am writing.  I won’t go into details, but I have focused on these two flowers extensively, as they represent the two main characters.  OK then.  So.  I brought Kiki to an art class at our small local art museum last night.  I have been spending the hour and a half of her Wednesday night class time in the library next door in quiet, blissful, aloneness.  This week was the first Wednesday of NaNoWriMo, so I brought along my laptop, excited to have this stretch of undisturbed writing time.  Usually, because the exhibits are closed by that time, the lights are all off in the museum.  But last night, the lights were on, and the large mural that was in the front hall was replaced by an exhibit of flower paintings.  In the center of the paintings, the focal points and the largest pieces, were two flowers: a single white lily and a single red poppy.  Giddy.  “O.K. then, Universe.  I catch your drift.”  (I did not say this out loud.)

Roulottes.  I have decided that I will be dragging my family, from now on, around with me in a gypsy caravan.  (To which Hercules, reading over my shoulder, just replied, “There are six of us, Terri.”)  I have a grand scheme planned: mountains, meandering stream, and a few of our favorite families, each with their own roulotte (or two).  A central space for gathering, a communal cellar . . .  C’mon.  Let’s do this.  Yes?  If anything, I think I will be getting even more gaudy than ever.  This all makes me out of my mind crazy-giddy.  It’s possible . . .

Honey, Honey.  I sang this song to Shortcake last week, and it made her giggle uncontrollably.  Since then, she requests it for lullabies, wants it played continuously on the computer, and she sings and dances to it with ferocious passion.  She prefers “you are my candy baby,” and will correct me if I slip.  It is the cutest thing ever.  Giddy-happy.  Indeed.

Ready Set Go

November 3, 2009
tri-x negative scan, Mamiya 645 AF.  (overdeveloped this roll: Hercules' fault)

tri-x negative scan, Mamiya 645 AF. (overdeveloped this roll: I blame my husband.)

Alright, so I’ve decided to blog only if I’ve reached my word count goal for the NaNoWriMo day.  Or, of course, if I’ve quit (which is likely).  Today, I’m slightly over 5,000 (total), so I’m good.

I saw this negative on the strip the other day, and immediately thought of part of a Greek myth I’d just re-read.  In short, Orpheus’ wife Eurydice dies, and he is so distraught that he travels to the underworld to beg for her return.  He plays his lyre for Hades and Persephone, who are so moved by his music and his brokenhearted plea, that they allow him to take Eurydice back to the land of the living.  Their only condition is that she travel behind him, and that he must not turn back to look at her until they both reach the upper-world.  When they are almost to their destination, however, Orpheus becomes nervous, and turns to check that she is still there.  Eurydice vanishes, and they never see each other again.

So, I’m thinking about trust, and moving forward.  (I’m also wondering why Orpheus didn’t just kill himself, if he was so friggin’ desperate to be with his dead wife, but that’s not nearly as inspiring.)  I need this thought—the trust one, not the suicide one—because the self-doubt is kicking in, right on time.  You’re not a writer, it’s already been done, who do you think you are, you suck, blah, blah, blah, etcetera, etcetera.  Then, today I read this blog by Mccabe Russell, (sent there by Deb)  which begins:

what if this is it
right here
right now
your defining moment…

Go read the entire thing.  It made me all crazy excited.  Yes!  This is it!  Right here, right now.  No question.  No what ifs.  No looking back.  Just ready, set, go.

 

For all my talk of darkness and descent, I do so love the Summer.  And I miss it.  One of my absolute favorite summer-things is sidewalk chalk.  We had what was likely our last warm, sunny day of the year a few days ago, and my first impulse was to get out the chalk.  I searched desperately through the garage, but could not find any.  I even searched the neighbors’ lawns.  It was a little reminiscent of that damn silver cord (which I still have not found). 

 
So today, as the year turns toward it’s darker half, the day before I plunge myself into introversion, myth, and archetype, I’m thinking of sidewalk chalk.
Shortcake and her fabulous legs.  A digital shot, from my sister's front patio this summer.
Shortcake and her fabulous legs. A digital shot, from my sister’s front patio this summer.
 

 

TAF_1238xb

on our sidewalk