Posts Tagged ‘paint’

Durga in A minor

February 9, 2010
If you have never been called a defiant, incorrigible, impossible woman… have faith… there is yet time.
Clarissa Pinkola Estes
watercolor on arches hot press paper

watercolor on arches hot press paper

 This may be redundant, but listen.  The last couple days have plunged me into some ridiculous, epic journey of self-loathing and rage-y despair.  It was not so much a passive state of depression, but an active fury.  When I said I wanted to throw a temper tantrum, I totally meant it.  I was hard-core craving broken dishes on the driveway and screaming and kicking and throwing.  The desire was really just for the sake of the feeling of it, but more subtly, I suppose, it was the if-i-can’t-have-EVERYTHING!-exactly-how-I!!-want-it-and-NOW!-then-i-will-throw-a-fit . . . thing.  And not being able to throw fits all day long was like being told by the obstetrician to not push.

And, oh!  Look at the moon.  It is a little waning thing.  How predictable.  I hate myself for being so fucking predictable! 

(Just kidding.  But if I would’ve said that yesterday, I probably would’ve meant it.) 

 And so it was in this state that I did this painting.  I’m borrowing this guitar, if you remember, and although I’ve previously never learned anything beyond the first three chords in Harvest Moon or a Nirvana riff or two, I’m trying to get my rock on.  I really am quite terrible at it thus far, and my fingertips are red and swollen and sore, and hooray for a very easy E minor chord, but still, it just feels sooooo damn good to play it really loud.  It is also a good thing to have around when one is craving a temper tantrum.

A part of my self-loathing was regarding my inability to just be calm and sweet and nice.  I mentally noted one failed attempt at Zen, F minor, housewifery, and altogether goodness . . . after another.  I did try to wrangle it in, the crazy.  I was bringing my attention to that which is, but it turns out that that which was was the ridiculous desire to scream and swear and maybe even to bite.  Sometimes what presents itself is the painfully beautiful glitter of snow, and other times it is just, you know, biting. 

Considering the honesty of the emotion made me think (with a little help from my friend), waitaminutehere.  Maybe this is OK, simply feeling what there is to feel, as opposed to denying, or worse, becoming completely out of touch with, extreme emotion.  (And also, she told me that someone called a picture of me cute.  Ah, flattery.)  Fiery is a part of me, and trying to be “good” and “nice” is sometimes especially exhausting.  I woke up thinking about archetypes, and trying to remember some of the goddess myths that would point to the fierce aspect of the divine feminine.  And, so hooray for facebook, where Chameli mentioned Durga.  I cued up Ragani’s “Durga” on my iPod, and I named my painting after her.

 I’m putting the original up on my Etsy, as well as a few prints of both this rocking Durga and The Selkie.  The prints have not yet arrived from the printer, and so I’m listing them at a discount until they do (I am such the terrible businesswoman!).  You’ll get them cheaper for being a little risky and patient.  Apropos.

***EDITED TO ADD: the 8×10 prints have sold, already!  I’ve just listed the 5×7.***

selkie

February 1, 2010
watercolor and ink on arches hot press watercolor paper

watercolor and ink on arches hot press watercolor paper

 

As Shortcake was making her way into the world, I was listening to Aine Minogue’s (an Irish harpist, singer, and folklorist) song The Selkie on my iPod.    It’s beautiful, and it resonated deeply with me the first time I heard it.  But I had no idea what she was saying!  I had heard of the mythological selkie, but knew only that it had something to do with water. 

Recently, the Celtic myth of the selkie has come back into my life en force.  She is a shape-shifter, a sea creature whose sealskin allows her to live in the depths of the ocean.  Her home is there, in Sule Skerry, but she can take off her sealskin and become human for a short time as well.  In the myth I’ve just read, a human man falls in love with her in this form, as she is sunning herself on the warm rocks, and she becomes his wife.  The husband (jackass!) hides her sealskin, so she remains on land, gives birth to his son, and starts to get all parched and peely and icky.  She can live without her sealskin, but only for so long (7 years, I think?) before she needs to return to her watery home.  It is her son who later finds her sealskin, and she returns to Sule Skerry.  Her son is able to travel between the two worlds, and he is who I really identify with.  But enough about me . . .

Here the selkie looks out to the ocean, dreaming of Sule Skerry and longing for her sealskin, pregnant with the child who will eventually aid her return.

I know this feeling well.  Don’t you?

I’ve listed the original painting on my Etsy, and will be listing prints soon.

I should let you know straight out that I’m going to talk about tarot cards.

And that this post, once again, contains tube socks.

Are you still with me?

Heh . . . lo?

So this drawing / painting / sketch /whateverthehellyoucallit was supposed to be about patience.  I was thinking about natural intuition, reception—patiently waiting for that small, directive voice in the stillness.  I was deep breathing and feeling all openness and attentiveness and patiennnnnce-ommmmmm.  But then her hair got out of control, and before I knew it, it was all wildness.  And then her face took on an impatient scowl.  And then the restful, crossed arms became tense and ready to burst.

And I saw, not patience, but impatience.  More than a simple restlessness, I saw a woman attempting to restrain herself, trying desperately—and almost sorrowfully—to keep her wildness under wraps, betrayed by her crazy hair. 

 

img748x

watercolor, arches hot press paper

It perplexed me, as those frequently-occurring paradoxes do.  (I!  AM!  ALL!  PARADOX!  It isn’t just me, is it?  Aren’t we all?)  And, to further complicate things (I just said that two blogs ago), my feelings regarding this paradox itself are split.  It is the eight of swords vs. the red shoes.

Are you still with me?

Heh . . . lo?

Journey with me, if you will, into my soul.  Oh, come on, it’ll be fun!  Does this restlessness-emerging-from-patience-piece point to this or that?

The eight of swords.  (this)

Tarot cards are, despite what you might think, not about fortune-telling, but about inner journey.  I am a visual person (obviously?), and the images on the cards can really assist me in finding psychological, philosophical, and spiritual clarity.  They mirror aspects of nature and of soul, which, perhaps, are one and the same anyway.

I first saw the card years ago, when Dimples was a baby, and I was in the depths of some Postpartum Depression / darkness / soulcraft-ish descent.  My cousin Amy and I would play with tarot cards, then she would babysit as I went crying to my therapist.  The eight of swords came up in a reading for me, and I considered the image: a blindfolded woman, arms loosely bound behind her back, standing in the center of eight swords (go figure!) that had been thrust into the ground around her like a cage. 

Yes!  I thought.  This is me!  Bound and constrained by motherhood and culture and circumstance, unable to fulfill my potential!  But when we studied the card further, we realized that the woman was not so terribly constrained.  She could easily escape the “cage,” and could free her hands and eyes with little effort.  Instead of relief, I felt offended.  If I were not a victim of my circumstances, if I could simply remove my blindfold and carry on . . .  Well, that was quite a lot of responsibility.  “Victim” was so much easier.

So “this” is one thought that came as I considered the drawing.  Have I given myself a new mental straight jacket?  Is there something inside me (some creativity, project, wildness) that is screaming to get out, and am I holding it back for some unnecessary and imaginary purpose?

–OR–

The red shoes.  (that)

To further encourage the eye-rolling of my most cynical readers, I will now, once again, allude to a story in the book Women Who Run With The Wolves.

Heh . . . lo?

The tale of the red shoes is, in short, about a resourceful little peasant girl who fashions for herself a  pair of red shoes.  One day, a rich old civilized lady takes the girl to live with her, gives her new clothes and shoes, and burns her old things.  The old red shoes had been so special to the little girl, that she tricks the old woman into buying her a new pair of (scandalous!) red shoes.  The girl becomes obsessed with these new shoes, and even when she has had a taste of their power (they magically cause her feet to dance, taking control), she craves them.  In the end, the shoes take over, dancing wildly and threatening, essentially, to kill her with exhaustion.  She is unable to remove them, and so, desperate, she asks a woodsman to chop off her feet.

The author (Clarissa Pinkola Estes) compares the little girl to a feral woman—originally and naturally wild (handmade red peasant shoes), but confined like a depressed animal at the zoo (shoes/wildness burned, child civilized).  Sighting the new red shoes is similar to when that caged animal (or woman!) snaps, remembering that bit of wildness that remains within.  But instead of having the knowledge or opportunity to reincorporate the natural way of being, she latches desperately onto anything wild-ish, even at the risk of losing complete control.  The girl dancing like a lunatic in pretty red shoes, the snarling tiger who suddenly turns and attacks the loyal zookeeper, the well-behaved mother who suddenly loses her mind, or becomes addicted to something dangerous, or abandons her family for the cruise ship attendant. 

I mean, not that I have a cruise planned anytime soon.  But you know what I mean.  (Do you know what I mean?)

And so in this light, restraint can be a good, natural, healthy thing.  It can be having the patience to ignore the flashy red shoes and holding out for what you intuitively know to be your thAng, or just hanging on to your old handmade shoes in the first place.  And so is it “that” that I’m seeing here?  Sort of an alert patience?

–OR–

None of the above, it was just a millimeter of a stray brushstroke on her eyes, or the espresso. 

 

(Now all of this passed through my conscious thoughts in approximately 15 seconds—-Eight of swords?  The red shoes?  Espresso?—-but it took, like a billion hours to write.  It would be so much easier if you could just understand my thought processes next time.  Thank you.)

Nina

January 11, 2010
You’ve met my friend Nina before, haven’t you?

This is the illustrious Nina:

img440x

Nina + crew, tri-x in the mamiya 645af

 

And Nina’s Palette is her new website.

Nina is my friend Jessica’s sister.  You’ve met her before, too.  And here she is, headless.  Ain’t she purty (despite the dust on this negative scan)?

img401

Jessica and her Yashica. Me, and my tri-x and my Mamiya. Arigato.

And to complicate things, they also have a younger sister who is also gorgeous and fabulous.  (And she’s my little brother’s age, so I’m working on a set-up plan, because then we’ll be related.  Except she would be all, “Yeah, dude.  Get in line,” and he would be all, “whatever.”  So forget it.  Forget it, already!  And anyway, this is all about Nina.)

BECAUSE, LOOK!!!  She is featured in OnMilwaukee.com today!

A few weeks ago, Nina and Jessica kidnapped my children and helped them make self-portraits on 16×20 canvas.  And besides being blown away by the joy of it (the art, of course, not the missing children), I felt a little inkling of you are on to something here, my friend.  It was the collaboration with kids that I sensed, I think, and I knew she was in her element. 

fischer kid's self portraits 11-21-09

Shortly after, she created this beautiful painting with her son, Malachi.  When I saw it, I had chills.  And also maybe I cried a little.  Or a lot.  Do you ever get that feeling, when someone you love touches something within themselves that you know is soul, and is purpose, and is divine . . . and then shares it with the world?  Oh, it is a really good feeling.  An all-is-right-with-the-world feeling.

Go read her story.  I think you might just cry.  A little.

ninas

collaborative acrylic painting by Nina and her son, Malachi

(Destruction and) Renewal

January 5, 2010
watercolor on arches hot press, ink/digital

watercolor on arches hot press, destroyed with ink/digital

And so, apparently, my muse is pregnant.  And hott.  And she wears tube socks.  I can’t shake the tube socks.  But she is unable to tell me how to stop ruining everything. 

I began my routine of late-night art Mondays last night.  I developed a crappy roll of film–an entire roll of images I knew I didn’t need to take; began a beautiful ink drawing, but screwed it up by ignoring my intuition to just stop; then made this watercolor and destroyed her, too.  This one I “destroyed” by getting crazy with the ink. 

What you see here is my desperate attempts on photoshop to cover the ink mess.  Desperate attempts=digitally making most of the inky crap black.  I think I made it even worse.  It looked really good when it was all white.  Sort of unfinished, but in a good, wispy way.  And then, as I had just done with the ink drawing, I ignored that little voice that said “that is enough,” and assaulted it with black ink.

I am on a “ruin everything” mission, it seems.  Yesterday, I forgot to add salt to the bread, and ruined it, which, in turn, ruined the cinnamon rolls I made with the same dough.  And there was last night’s mess of an art session.  And today I ruined what should have been a really good curry dish for lunch.  I mean, Julie ate it.  And had seconds.  But it was RUINED!  RUINED, I TELL YOU!

I’m reading Women Who Run With The Wolves (a title that Hercules had a hard time checking out from the library for me), and I’ve just read a tale about a girl who, essentially, carried a magical doll in her pocket that told her what to do: turn left, turn right, stop talking.  I’ve got that magical doll, we all have that intuition.  I think my current task is to remember how to listen to her.

I think I get it.  I do think I hear her (so many voices up in here).  I do think that I can decipher between internal and external.  But I tend to disobey.

The Illustration Friday prompt is “Renewal.”  I had read that a couple days ago, and remembered it as “Rebirth.”  Close enough, right?  My intuition tells me “yes.”

Laisse Tomber Versus A Rock

January 1, 2010

Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

~Rainer Maria Rilke,  from Letters to a Young Poet

samothrace

an "unfinished" watercolor, winged victory of samothrace-inspired.

 

As the Earth turned at Winter Solstice, and now again as the calendar switches to 2010, I am, like everyone else, feeling old things passing away and beholding all things becoming new.  Is it an actual connection to nature?  Is it the collective unconscious?  Is it the bandwagon?  Is it all in my head?

It is a new year, and for whatever reason, I am feeling 2010.  The sound bursts out of my mouth and my mind.  TWENny TEN!  Losing the “thouuusand” feels good.  Like shedding skin, and emerging with shiny new scales.

Except maybe shedding skin doesn’t actually feel good?  I’m not sure.  I was thinking about this skin-shedding, thanks to that Pixie girl, last week-ish.  I had said that I would happily let my old 2009 skin fall as it would, laisse tomber*.  I was feeling perfectly smug and laisse-tomber-sheddy, then, when I visited a pet store a day or two after the Solstice.  Kiki had asked for a lizard for Christmas, and, against my better judgement, I was checking out the possibility (and quickly sqashing her hopes).  And there, thrashing around her tank, was a gecko shedding her skin.

The flaky white scales were not actually just falling off.  Her old skin stuck out in all directions, looking like dried Elmer’s glue.  She was crazed—jittery and writhing against her little fake rock in one moment, still and exhausted in the next.  It might not have been painful, but it surely wasn’t easy.  And there was epiphany and aha! for the stupid human observer.  Of course.  Sometimes the old ways of being/thinking/feeling/doing just fall off.  And hooray for that.  But sometimes, and usually, I suspect, you have to rub yourself up against a damn rock!  You have to piss down your leg, play the fool, venture far from shore, live the question, experience The Dip, do the thing, ready or not, in the midst of/despite/because of the chaos.  It is a natural process, but it is not a passive one.

And if I have an official resolution this year (or reVolution, as my kids say, appropriately), it is that. 

What?

That. 

I don’t know.  It’s not a word or sentence, I guess, it’s a feeling.  It’s that.  The lack of an answer to the question, “What is your New Year’s Resolution?  Who are you?  What are you doing?  Is it photography or writing or drawing or mothering or . . . ?”   It is the commitment to putting it all out there: the idea, however inarticulate . . . the painting, however unfinished.  (Why the concern with finishing, anyway?  Finishing is just done.  Which is like, dead.)  It is the motivation to experiment with that photo project, and follow through, or the self-forgiveness to abandon it if it doesn’t work.  And perhaps, more importantly, it is the doing of it.  It is the few-weekly scheduled late nights (NaNoWriMo-style) in which I rewrite and edit that damn novel, develop that damn film, ink that damn paper, experiment!  The skin that I need to rub off is the stuff that keeps me from the doing.

Not doing this thing  is so 2009.

 And, I’m telling you.  TWENny TEN is so all about the kicking of ass.

 And so, let’s.

  

( *laisse tomber:  a French way to say let it go, drop it, fuggedaboutit, let it fall.)

  

  

  

 

for erin

December 5, 2009

for erin

 

for erin

who’s inspired me

among other things

to try watercolors

and who i thought of

while i made this

my first non-crayola watercolor painting

 

shortcake likes it.  she said “aw!  cute nursies!”

 

Excuses, Excuses

September 22, 2009

Shut up.  Shut Uhhhhp.  shutupshutupshutupshutup.  SHUT!  UP!

I have a confession.  If we have spoken lately, and, in the conversation, you’ve rattled off excuses (for whatever reason), I have been reciting the above in my head.  I’m sorry.  This is not kind, I realize. 

I said I’m sorry.

I’ve just been particularly irritated by excuses lately.  It’s not you, it’s me.  You know when you buy a red Pontiac Aztec, or put dreadlocks on your head, for example, suddenly everyone is driving red Pontiac Aztecs and wearing dreadlocks?  (the red Aztec.  Yes, it was a minor 2001 lapse in judgement, and I have since evolved to driving an extremely maternal stylish blue minivan.)  It’s like that.  I’ve recently taken notice of my own excuses, and suddenly, everyone is making them.  For every pathetic reason.

“I want to lose weight, but I can’t exercise because I have a bad back.”  “I’m an environmentalist, but I can’t use a cloth handkerchief because I have allergies.”  “I’m an artist, but I can’t paint because I have kids.”  “I would _________, but I am too busy/tired/old/powerless/poor. . .”  “I’m a photographer, but I can’t develop my film because my toddler keeps me up all fucking night and so I am tired and overwhelmed and afraid of miscalculating measurements and timing and plus I am menstruating.”  shutupshutupshutup.

Oh, wait.  That last one was me. 

Which is exactly why I think I have become so impatient with other people’s excuses.  I see clearly how pathetic and whiny and defensive they are, and realize that mine are just as pathetic and whiny and defensive.  They may be true, they may be valid.  But, shut up.  Either do the thing, or do the other, or, figure out a way to do them both.  It doesn’t need to be an excuse, it is simply the choice you’ve made, and it doesn’t need to be defended.  (At least not to me.)

 I do think there are some friendly self-help authors out there that articulate this thought a little more nicely.  I picked up Excuses, Begone!  by Wayne Dyer a few weeks ago at the library, but didn’t really read it.  Essentially, I think, it said:  shut up.

Check out this mama.  Believe me, the girl has got excuses.  And probably (believe me), her excuses are better than yours.  But do you see what she is doing?  She is painting.

img463

My gorgeous, talented, fabulous friend, Nina, doing her thang. tri-x film neg. scan.

  So shut up (and paint, or whatever).