Posts Tagged ‘shadow’

The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I’m afraid so. You’re entirely bonkers. But I’ll tell you a secret. All the best people are.

 

god, do i hope this is rock bottom.  have you noticed?  i mean, obviously.  i might as well admit it.  yeah.  i’m kind of going through a thing, worst ever.   and no, actually, i’m not ok.  not at all.  thanks for asking

i tend to get these “signs” of comfort or of direction when i am low or confused.  i get to a place (and it is predictable, but i always forget) where i am so lost and/or incapable of functioning that i reach out, beg really, for some sign that will tell me what to do.  these signs have been abundant, and mind-boggling, as they always are when i am in touch with my truth.  but where they have led me has pissed me off, in an ignorance is bliss (though bliss is definitely not the word.  more a flat affect stupor) sort of way.  so on a recent bike ride, i had a conversation with myself.  or, Myself, or whoever it is that gives me these signs.  i said something like so what’s that about then?  the fucking signs?  could you just stop with the fucking signs?  or could you just stop pretending that you’re seeing signs? (that’s another self-talk voice.  apparently there are many.)  ooh!  ooh!  i know!  i know!  i need a sign about signs!  a sign to tell me that i am actually seeing signs!  and that they matter!  and then i went crazy.  absolutely lost it.  i was angry at myself for being such an idiot, for having such outrageous self-talk discussions, for actually asking for such a thing.  a sign about SIGNS?!?!  my eyes were blurred with tears, so i had to steer my bike off of the road (and almost collided with a truck in the process).  i stopped at an abandoned house and threw my bike onto the overgrown grass and wildflowers.  i saw a shed, and thought it would be a lovely place to have a breakdown.

when i stood in front of the open shed, this is what i saw:

TAF_4028x

i’ll give you a sign about signs.  how about a fucking shed full.

TAF_4034x

TAF_4039x

and i cracked up.  out loud.  i mean, not that that is any less confusing.  but it does validate the whole . . . sign . . . thing.  i retrieved my bike, wanting to go home for my camera, and there was another very specific sign in front of my face.  but i won’t tell you about that one.  maybe eventually.

also, when i returned with my camera, i considered breaking into the house.  this was on the door, after all.  but i didn’t.  next time?

TAF_4060x

muchless?

July 24, 2010

I am in an elementary school parking lot. I’ve been driving for an hour, past closed coffee shops and locked libraries, busy parks and missed highway signs. I don’t even know what I’m doing. I’m parked in a parking lot, surrounded by the shapes of suburbia, and crying. There is a kid skateboarding who will probably go home and tell his mom about the freak outside the school, and they will call the cops. I will plead insanity for my crime of trespassing, and then sit in a hospital bed on suicide watch at the mental institution and refuse meds and cry indefinitely.

I’ve just rolled down the windows so I can turn off the ignition (and the air conditioning). The flag pole is clanging and dogs are barking and people stand on their front lawns and talk about the pointless things that interest them. Comma? I’m supposed to be writing. I want to be writing, this story that has come to me, this culmination of stories. I even have the title.  But this is what I’m writing instead. Just a big rambling whine. I don’t ever finish anything, anyway. It doesn’t matter whether I start a new story or not.

How do I get out of here? I have to get out of here. Not this parking lot, not this sadness, but this place. This place where sidewalks matter; this place where baby tree trunks, all uniformly planted, are protected by corrugated plastic tubes; this place where someone will cut all the queen anne’s lace down with a weed-wacker. This place where somebody actually named something “weed-wacker.” How the hell do I get out of here? Why can I not find the exit? There must be one. There’s got to be one.

I feel like the only one awake at a slumber party at 2:26 AM. I feel like the only one not possessed by zombies in a horror flick. I feel like the designated driver that’s just dropped her keys down the gutter. The buzz kill, the scapegoat, the bastard heir, the mad hatter, selectively unforgiven and unheard and misunderstood and lonely and insane but insisting that I’m NOT! to a sea of blank stares.

This would be a good thing, I think, if I could identify with a blaspheming Jesus, or a stuttering Moses, or some other legendary hero down on his luck before the grand triumphant finale, destined to make some grand contribution to the world. But shit. Though I have descended to the underworld, I’ve returned without a talisman. I’ve spun my cocoon, slept in it, but emerged prematurely, my wings yet unformed. I’ve gained insight, but I don’t know how to implement it here. I’ve touched enlightenment beside the river, but upon returning to the village, I’ve forgotten it all. Or, not necessarily forgotten, but what was once this roaring fire of intuition, seems only like a faint glimmer in the darkness of this nonsensical weed-wacking reality. When I open my mouth to share, I stand there drooling and mute in the spotlight. My hands begin to shake, and heavy tears threaten the back of my wide, crazed eyes.

It’s all gibberish, anyway, isn’t it? I know there is something, something in it all—it’s like when I dig in my disastrous purse for the keys I can hear jangling, I know they’re in there, I swear. . . . But I just can’t find them. Maybe it’s only lost change. Maybe it’s a figment of my imagination.

I want to quote the “wrong” Alice (I just watched the movie the other night, while the grown-ups played Trivial Pursuit) and say, “Lost my muchness, have I?” and then proceed to kill the dragon while a cheering everyone bears witness to said muchness. But, lost my muchness? I don’t know. Maybe I have.

lomography metaphor

June 4, 2010
shortcake, holga, tri-x 400 film in t-max dev

shortcake, holga, tri-x 400 film in t-max dev

An unintended theme in my life lately has been a loss of control.  (Maybe “unintended” is a given, since intention is a form of control?)  Or, more specifically, the theme is a fucking obliteration of any semblance of control.  Control is dying a painful and twitching death here, and I’ve taken the job of holding the pillow over its face.  I’m tired of sharing its air.  I can’t really give you any insight here, because there is not any hindsight to speak of. 

But it has me feeling kindred with the ol’ holga.  I’ve got no control with the holga, which sort of kills a woman whose religion is the Church of the Light Meter.  The aperture and shutter speed simply are what they are, and there’s nothing I can do about it.  Even those settings are relatively uncertain.  All I can do is open the plastic shutter and let the light in, to fall on the film as it will.  The focus will be off, some frames will be overexposed, and some will be underexposed.  There are unintended shadows everywhere and places where the sun burns the negative completely black.  But a couple of the frames are, with ironic consistency (or is it pure statistics?), absolutely gorgeous.  Alternatively, I could leave camera at home; or worse, I could let a computer set the controls for me. 

But I think the illusion of control can be deceiving.  The only constant  is this beautiful inconsistency.  I think.  I’m not sure.  I’ll get back to you.  (But don’t count on it.)

oh. hi there.

May 23, 2010
You see, I want a lot
Maybe I want it all;
The darkness of each endless fall,
The shimmering light of each ascent.
 
Rainer Maria Rilke, from Rilke’s Book of Hours
tri-x in mamiya c330 tlr, shortcake, november

tri-x in mamiya c330 tlr, shortcake, november

 Oh.  Hi there.  I was going to say, “Yikes.  A week without blogging.  I was just a little busy—falling.  Did i miss anything while i was away?” 

But I already know the answer:  I didn’t miss one thing.

I Raise My Cup

April 12, 2010
one pre-snow, two post-thaw magnolia blossoms.  (digi)

one pre-snow, two post-thaw magnolia blossoms. (digi)

I Raise My Cup To Him – Anais …

 

Pour the wine and raise a cup
Drink up, brothers, you know how
And spill a drop for Orpheus
Wherever he is now

Some birds sing when the sun shines bright
My praise is not for them
But the one who sings in the dead of night
I raise my cup to him

Wherever he is wandering
Alone upon the earth
Let all our singing follow him
And bring him comfort

Some flowers bloom when the green grass grows
My praise is not for them
But the one who blooms in the bitter snow
I raise my cup to him

I raise my cup and drink it up

I raise it high and drink it dry

To Orpheus and all of us
Goodnight, brothers, goodnight

 ~Anais Mitchell, from Hadestown (for which, by the way, I’m in need of either babysitting or a date or both:  Chicago, Sept. 11)

the one who bloomed in the bitter snow. . .

the one who bloomed in the bitter snow. . .

It is different for me to remain objective during the dark of the moon.  But for whatever reason (serotonin receptors saturated with chocolate?  all other receptors saturated with coffee?  extra sunny vitamin D doses?), I am relatively . . . happy.  Receptive, new-moon-ish, but . . . happy.  And in this strange state, I’m noticing that a lot of people aren’t.  I don’t mean un-grateful, un-zen, what’s wrong with all of you pathetic, un-happy people.  I mean tragedy-induced grief, crisis-induced overwhelm, hormones and cycles and hermitage and clinical depression.  Valid shit.

If you’re one of them, I give you a virtual pat on the shoulder and an “I’ve been there.”  Because I have been there; I visit relatively often, actually.  I offer you virtual sympathy, but I don’t do pity (who wants pity, anyway?).  I raise my cup to you, if, like Orpheus, you’re singing in the dead of night.  And I site Rilke as my excuse to virtually slap you in the face if you are faking it, and/or hoping for something better, you “spendthrift of sorrows,” you. 

May I, one day, emerging from this grim vision,
sing jubilation and praise to assenting angels.
May no clearly struck hammer of my heart
fail to sound from slack, doubting, or
breaking strings.  May my tear-filled face
make me more shining; may my simple tears
flower.  how dear will you be to me then,
you nights of affliction.  Why couldn’t I kneel more deeply
     and accept you,
inconsolable sisters, or loosen myself
freely into your loosened hair.  We spendthrifts of sorrows.
How we keep peering beyond them ahead into sad duration,
to see if perhaps they might have an end.  But they are truly
our winter-enduring foliage, the dark green of our life’s meaning,
one season of our secret year—, not only
time—, but also place, settlement, shelter, soil, abode.

Rainer Maria Rilke, from The Tenth Elegy, (trans. Galway Kinnell and Hannah Liebmann)

. . . and post a cute picture of my kid.  See?  Just like you thought I couldn’t.  Suckas.

Except in the shot, he has just told me that he is Anakin, who he likes because, of course, Anakin goes to the dark side and becomes Darth Vader.  And maybe that’s not normal.  And maybe it’s not normal that it makes me proud when he says these things.  And so, just forget the whole normal thing, already.

mini-me + light saber on tri-x in mamiya c330

mini-me + light saber on tri-x in mamiya c330, neg scan

I’m glad my villain-loving genes run strong in him.  There are other similarities, too.  heh.

DSC_0565xx

And to quote Nina’s little boy, “I like being negative; that’s my favorite of all!  Oh OK, I’ll be positive when I’m done being negative.  Now, as I was saying…”

And so as I was saying, the villain is almost always my favorite, too.  Not only are they just plain cool, but they’re also just so beautifully complex.  Right?  Surely you have a favorite villain.  Tell me.  And your answer can’t be Terri Fischer.

We now interrupt our regularly scheduled upswing with . . .

everything

and 

mental

 

By the time I descended into my lair to get some crazy out last night, I fucked up an attempt to do an ink wash of yesterday’s sketch.  And so I was infuuuuuuriated with myself.  Because I could have developed film or played the guitar or painted a watercolor or worked on that terrible opening chapter.  And those thoughts made me more insane because then I decided that I am just an all-around absolute loser, of course.  Why must I (TRY to) do everything?  My muse is not just promiscuous, she is a whore.  Because she makes it so that I am not even good at anything.

(I am not looking for pity or smoke up my ass, here.  I am just spilling.  So pleeeeease, so help me, don’t.)

I’m a little thrown off by this.  And I’m kind of spinning in circles.  And I’ll do some business things when I can today, like working on the photography website and ordering shipping supplies.  Good, concrete, boring things.  And I will have a friend here for coffee, and I will screw a few hinges onto my cupboard doors.  And, of course, I will mother as a verb.  But I can’t promise that I won’t just go ahead and have a breakdown.  Which makes me feel weak and stupid and lonely, because who feels this way, really?  I mean, pull yourself together, woman!  There are real problems in this world!  Remember how you felt about your fellow college students who complained about their art woes while you studied organic chemistry and microbiology?  Where is that one chick?  Maybe she was just a sad, jealous, trapped little thing.  But maybe we could buck up and channel her today?  Huh?  You lunatic? 

 

Shoot.  I’ve just realized that there are people that blog to uplift and inspire other people, and not to talk to themselves in public.

And so I’m going to try really hard to post something normal-bloggy tomorrow.

*curtsy*

Durga in A minor

February 9, 2010
If you have never been called a defiant, incorrigible, impossible woman… have faith… there is yet time.
Clarissa Pinkola Estes
watercolor on arches hot press paper

watercolor on arches hot press paper

 This may be redundant, but listen.  The last couple days have plunged me into some ridiculous, epic journey of self-loathing and rage-y despair.  It was not so much a passive state of depression, but an active fury.  When I said I wanted to throw a temper tantrum, I totally meant it.  I was hard-core craving broken dishes on the driveway and screaming and kicking and throwing.  The desire was really just for the sake of the feeling of it, but more subtly, I suppose, it was the if-i-can’t-have-EVERYTHING!-exactly-how-I!!-want-it-and-NOW!-then-i-will-throw-a-fit . . . thing.  And not being able to throw fits all day long was like being told by the obstetrician to not push.

And, oh!  Look at the moon.  It is a little waning thing.  How predictable.  I hate myself for being so fucking predictable! 

(Just kidding.  But if I would’ve said that yesterday, I probably would’ve meant it.) 

 And so it was in this state that I did this painting.  I’m borrowing this guitar, if you remember, and although I’ve previously never learned anything beyond the first three chords in Harvest Moon or a Nirvana riff or two, I’m trying to get my rock on.  I really am quite terrible at it thus far, and my fingertips are red and swollen and sore, and hooray for a very easy E minor chord, but still, it just feels sooooo damn good to play it really loud.  It is also a good thing to have around when one is craving a temper tantrum.

A part of my self-loathing was regarding my inability to just be calm and sweet and nice.  I mentally noted one failed attempt at Zen, F minor, housewifery, and altogether goodness . . . after another.  I did try to wrangle it in, the crazy.  I was bringing my attention to that which is, but it turns out that that which was was the ridiculous desire to scream and swear and maybe even to bite.  Sometimes what presents itself is the painfully beautiful glitter of snow, and other times it is just, you know, biting. 

Considering the honesty of the emotion made me think (with a little help from my friend), waitaminutehere.  Maybe this is OK, simply feeling what there is to feel, as opposed to denying, or worse, becoming completely out of touch with, extreme emotion.  (And also, she told me that someone called a picture of me cute.  Ah, flattery.)  Fiery is a part of me, and trying to be “good” and “nice” is sometimes especially exhausting.  I woke up thinking about archetypes, and trying to remember some of the goddess myths that would point to the fierce aspect of the divine feminine.  And, so hooray for facebook, where Chameli mentioned Durga.  I cued up Ragani‘s “Durga” on my iPod, and I named my painting after her.

 I’m putting the original up on my Etsy, as well as a few prints of both this rocking Durga and The Selkie.  The prints have not yet arrived from the printer, and so I’m listing them at a discount until they do (I am such the terrible businesswoman!).  You’ll get them cheaper for being a little risky and patient.  Apropos.

***EDITED TO ADD: the 8×10 prints have sold, already!  I’ve just listed the 5×7.***

nightmare

February 8, 2010

hi.

excuse me please, while i have a temper tantrum.

i am just all whiny and piny and altogether feeling like throwing things and screaming.  strangely enough, it’s not a terrible feeling.  i think it would feel really good and not at all negative.  the negative part is not being able to do it right now. 

hmpf.

so over the weekend (this is not the temper-tantrum.  just my exposed soul, is all.)  i had the worst dream i’ve ever had.  not one of the truly terrifying ones; no loss of a loved one or anything.  i mean like gory, horror-flick style.  i am still quite amazed at the twisted horrificness (nope.  not a word.) that came from the depths of my subconscious.

i’m going to tell you about it, which is sort of a problem because a.) it’s just nasty and not really inspiring blog material, and b.) if you were so inclined, you could analyze a road map of my inner workings.  and i don’t want you to know.  i really don’t.  and yet, i’m telling you.  (idiot.)  so look away if you must.  i will have a lovely guitar-playing, dread-headed, tube-sock-ed girl to post soon, and you can just hold out for that if you came here hoping for loveliness.

this is not lovely.  and also it is long.

there was more to the dream in the beginning, but this is where it got ugly:  it was my first day back to work as a nurse.  the hospital building was dark and there were no patients in the rooms.  the hospital was also sort of a dormitory and maybe a church and had a mental institution vibe.  i stood with three other new workers, and we wondered what we were supposed to be doing.  we figured out that we had been assigned to some experimental project that had, that night, been suddenly abandoned.  the phlebotomist came onto the floor and asked where all of the “scions” were.  (i should note that i woke up from this dream wondering where i came up with the word “scion.”  i can’t ever remember hearing it.  googling it gave me the chills: a descendant or offspring.  a shoot or twig from a plant for grafting.)

we told the phlebotomist that apparently, the project had been abandoned.  she stared at us in horror, then relief, and went running, full-speed, from the room.  slowly, the “scions” or patients or subjects or whatever began to wander into what was like a large surgical area.  they were sort of zombie-like and bloody, but cordial enough.  (ha!) one doctor was with them, and it seemed like he was trying desperately to save the experiment, and he took a few of them into the operating room. 

somehow we new workers ascertained that this experiment or whatever it was was intended to help the human race live to its highest potential.  the scions were people who were dead or dying, their bodies (but not souls) salvaged by some new medication.  the surgeons, we learned, performed procedures not unlike lobotomies, nipping and scraping off different internal organs, trying to find the right combinationfor their ambitious goal.  some of the patients ended up being exceptionally “good,” or moral, after a procedure, some gained genius intelligence, some could actually fly.

as we were learning this all (maybe the surgeon was telling us, as he operated?  i don’t remember), a beautiful blonde woman sat up on her surgical table, her chest oozing new blood upon the old dried blood.  she was screaming and screaming in agony and pain and sorrow, pointing at a stainless steel table across the room.  there, on the small table, sat her heart, bloody and beating.

i backed away slowly, half-listening to the doctor explain that things had started to go terribly wrong.  i quickly found a set of many open doors, and walked outside into a group of scions.  i was about to just walk away, the fresh air felt so fabulous in my lungs.  but i noticed the scions staring at the humans playing in the snow in the distance.  the other workers were with me, and we decided that we could not just let these things escape.  there was a definite sense of martyrdom:  “save the human children!”

suddenly we workers all had bloody swords, and we ushered the scions inside.  it all got really terrifying, then.  they were disgusting and putrid and it was a bloody mayhem amidst the surgical steel hospital equipment.  there were too many, and there was no controlling them.  it became every-man-for-himself, and i was running, opening doors that led only to windowless rooms, finding small openings and squeezing through them only to find another room, often dorm rooms or classrooms or apartments.  i would search under beds for trap doors, climb into empty elevator shafts, scream and pound on locked doors.  it was endless, and each new escape led to another prison.  and all around, there were scions.

at last, i found myself in a darkened hallway, dark rooms with locked doors everywhere.  i noticed the sword still in my hand, and suddenly remembered a rule that i could leave if i took a scion outside with me.  there was a woman in a lobby trying to deal with the chaos, and i was trying to show her my xeroxed rulebook, to point out the rule about escape.  but she could not hear me.  i grabbed a bloody scion anyway, the sword to her neck, and suddenly i noticed a glass window open a crack.  i could hardly contain my emotion.  it opened onto a rooftop, but we were a story or two above that.  i had to muster the courage to jump out, and to kick out the entire window so both of us would fit, but i was desperate, and left with no other choice.

i kicked, i jumped, and then beside me, (real) Shortcake woke me up.  i couldn’t even find the courage to look around the room.  i held my little teddy bear girl and shivered.  to take my mind off of the dream, i imagined a story plot about secret lovers sending letters to post office boxes, and a granddaughter discovering them.  i didn’t go back to sleep for hours.

how bout them apples?

Threshold

February 4, 2010
bowels

crumpet on tri-x film pushed, in mamiya tlr

 

What would happen if one woman told the truth about her life?  The world would split open.

~Muriel Rukeyser   (found on this blog, upon which I am currently crushing.)

 

I often consider the concept of threshold, perhaps because I am drawn to dance alongside it.  I wonder about the paradox of a thing, and about the point beyond which the pendulum swings the other way.  Things like . . .

breaking point breakdown conception suicide insanity orgasm death critical mass critical condition trigger release love affair hibernation hope for salvation loss of balance fucked up childhood one or the other friendly or flirty funny or crude aloof enlightened condescending wise light dark fear pain belief ecstasy lithium saturation

the level of calcium in a cell of cardiac tissue that, when reached, causes the heart to contract.

the crescendo of a feeling or desire that is secret or repressed or denied or ignored and the little thing that breaks the shell, allowing it to wreak havoc on any pathetic attempt at pretense.

. . . and such.

(ahem)

 

It is this bottom of the stairwell, head in hands, on the threshold of insanity feeling that inspired this following little ditty a few months ago, and in turn, I decided to write Motherhood, The Musical.  (I’m totally kidding, of course, but it has a certain ring, doesn’t it?)  It seems the depths of winter are inspiring quite a few of these moments in quite a few of my friends.  I wish I could sing this for you, because I crack myself up, but I can’t figure out how to effectively upload music files.  Anyway.  It’s a waltz:

I’m deep in the bowels of / Motherhood / I’m fertile and sexed and it / Doesn’t feel good / I’ll take all these children / And feed them to wolves / Or I’ll eat them myself / If the damned dogs are full.

Tell me that doesn’t just scream Broadway hit. 

 

Ohmigod.  Please don’t call Social Services.  I’m just kidding.  About the wolves.  Thing.