Posts Tagged ‘shadow’

. . . and post a cute picture of my kid.  See?  Just like you thought I couldn’t.  Suckas.

Except in the shot, he has just told me that he is Anakin, who he likes because, of course, Anakin goes to the dark side and becomes Darth Vader.  And maybe that’s not normal.  And maybe it’s not normal that it makes me proud when he says these things.  And so, just forget the whole normal thing, already.

mini-me + light saber on tri-x in mamiya c330

mini-me + light saber on tri-x in mamiya c330, neg scan

I’m glad my villain-loving genes run strong in him.  There are other similarities, too.  heh.

DSC_0565xx

And to quote Nina’s little boy, “I like being negative; that’s my favorite of all!  Oh OK, I’ll be positive when I’m done being negative.  Now, as I was saying…”

And so as I was saying, the villain is almost always my favorite, too.  Not only are they just plain cool, but they’re also just so beautifully complex.  Right?  Surely you have a favorite villain.  Tell me.  And your answer can’t be Terri Fischer.

We now interrupt our regularly scheduled upswing with . . .

everything

and 

mental

 

By the time I descended into my lair to get some crazy out last night, I fucked up an attempt to do an ink wash of yesterday’s sketch.  And so I was infuuuuuuriated with myself.  Because I could have developed film or played the guitar or painted a watercolor or worked on that terrible opening chapter.  And those thoughts made me more insane because then I decided that I am just an all-around absolute loser, of course.  Why must I (TRY to) do everything?  My muse is not just promiscuous, she is a whore.  Because she makes it so that I am not even good at anything.

(I am not looking for pity or smoke up my ass, here.  I am just spilling.  So pleeeeease, so help me, don’t.)

I’m a little thrown off by this.  And I’m kind of spinning in circles.  And I’ll do some business things when I can today, like working on the photography website and ordering shipping supplies.  Good, concrete, boring things.  And I will have a friend here for coffee, and I will screw a few hinges onto my cupboard doors.  And, of course, I will mother as a verb.  But I can’t promise that I won’t just go ahead and have a breakdown.  Which makes me feel weak and stupid and lonely, because who feels this way, really?  I mean, pull yourself together, woman!  There are real problems in this world!  Remember how you felt about your fellow college students who complained about their art woes while you studied organic chemistry and microbiology?  Where is that one chick?  Maybe she was just a sad, jealous, trapped little thing.  But maybe we could buck up and channel her today?  Huh?  You lunatic? 

 

Shoot.  I’ve just realized that there are people that blog to uplift and inspire other people, and not to talk to themselves in public.

And so I’m going to try really hard to post something normal-bloggy tomorrow.

*curtsy*

Durga in A minor

February 9, 2010
If you have never been called a defiant, incorrigible, impossible woman… have faith… there is yet time.
Clarissa Pinkola Estes
watercolor on arches hot press paper

watercolor on arches hot press paper

 This may be redundant, but listen.  The last couple days have plunged me into some ridiculous, epic journey of self-loathing and rage-y despair.  It was not so much a passive state of depression, but an active fury.  When I said I wanted to throw a temper tantrum, I totally meant it.  I was hard-core craving broken dishes on the driveway and screaming and kicking and throwing.  The desire was really just for the sake of the feeling of it, but more subtly, I suppose, it was the if-i-can’t-have-EVERYTHING!-exactly-how-I!!-want-it-and-NOW!-then-i-will-throw-a-fit . . . thing.  And not being able to throw fits all day long was like being told by the obstetrician to not push.

And, oh!  Look at the moon.  It is a little waning thing.  How predictable.  I hate myself for being so fucking predictable! 

(Just kidding.  But if I would’ve said that yesterday, I probably would’ve meant it.) 

 And so it was in this state that I did this painting.  I’m borrowing this guitar, if you remember, and although I’ve previously never learned anything beyond the first three chords in Harvest Moon or a Nirvana riff or two, I’m trying to get my rock on.  I really am quite terrible at it thus far, and my fingertips are red and swollen and sore, and hooray for a very easy E minor chord, but still, it just feels sooooo damn good to play it really loud.  It is also a good thing to have around when one is craving a temper tantrum.

A part of my self-loathing was regarding my inability to just be calm and sweet and nice.  I mentally noted one failed attempt at Zen, F minor, housewifery, and altogether goodness . . . after another.  I did try to wrangle it in, the crazy.  I was bringing my attention to that which is, but it turns out that that which was was the ridiculous desire to scream and swear and maybe even to bite.  Sometimes what presents itself is the painfully beautiful glitter of snow, and other times it is just, you know, biting. 

Considering the honesty of the emotion made me think (with a little help from my friend), waitaminutehere.  Maybe this is OK, simply feeling what there is to feel, as opposed to denying, or worse, becoming completely out of touch with, extreme emotion.  (And also, she told me that someone called a picture of me cute.  Ah, flattery.)  Fiery is a part of me, and trying to be “good” and “nice” is sometimes especially exhausting.  I woke up thinking about archetypes, and trying to remember some of the goddess myths that would point to the fierce aspect of the divine feminine.  And, so hooray for facebook, where Chameli mentioned Durga.  I cued up Ragani’s “Durga” on my iPod, and I named my painting after her.

 I’m putting the original up on my Etsy, as well as a few prints of both this rocking Durga and The Selkie.  The prints have not yet arrived from the printer, and so I’m listing them at a discount until they do (I am such the terrible businesswoman!).  You’ll get them cheaper for being a little risky and patient.  Apropos.

***EDITED TO ADD: the 8×10 prints have sold, already!  I’ve just listed the 5×7.***

nightmare

February 8, 2010

hi.

excuse me please, while i have a temper tantrum.

i am just all whiny and piny and altogether feeling like throwing things and screaming.  strangely enough, it’s not a terrible feeling.  i think it would feel really good and not at all negative.  the negative part is not being able to do it right now. 

hmpf.

so over the weekend (this is not the temper-tantrum.  just my exposed soul, is all.)  i had the worst dream i’ve ever had.  not one of the truly terrifying ones; no loss of a loved one or anything.  i mean like gory, horror-flick style.  i am still quite amazed at the twisted horrificness (nope.  not a word.) that came from the depths of my subconscious.

i’m going to tell you about it, which is sort of a problem because a.) it’s just nasty and not really inspiring blog material, and b.) if you were so inclined, you could analyze a road map of my inner workings.  and i don’t want you to know.  i really don’t.  and yet, i’m telling you.  (idiot.)  so look away if you must.  i will have a lovely guitar-playing, dread-headed, tube-sock-ed girl to post soon, and you can just hold out for that if you came here hoping for loveliness.

this is not lovely.  and also it is long.

there was more to the dream in the beginning, but this is where it got ugly:  it was my first day back to work as a nurse.  the hospital building was dark and there were no patients in the rooms.  the hospital was also sort of a dormitory and maybe a church and had a mental institution vibe.  i stood with three other new workers, and we wondered what we were supposed to be doing.  we figured out that we had been assigned to some experimental project that had, that night, been suddenly abandoned.  the phlebotomist came onto the floor and asked where all of the “scions” were.  (i should note that i woke up from this dream wondering where i came up with the word “scion.”  i can’t ever remember hearing it.  googling it gave me the chills: a descendant or offspring.  a shoot or twig from a plant for grafting.)

we told the phlebotomist that apparently, the project had been abandoned.  she stared at us in horror, then relief, and went running, full-speed, from the room.  slowly, the “scions” or patients or subjects or whatever began to wander into what was like a large surgical area.  they were sort of zombie-like and bloody, but cordial enough.  (ha!) one doctor was with them, and it seemed like he was trying desperately to save the experiment, and he took a few of them into the operating room. 

somehow we new workers ascertained that this experiment or whatever it was was intended to help the human race live to its highest potential.  the scions were people who were dead or dying, their bodies (but not souls) salvaged by some new medication.  the surgeons, we learned, performed procedures not unlike lobotomies, nipping and scraping off different internal organs, trying to find the right combinationfor their ambitious goal.  some of the patients ended up being exceptionally “good,” or moral, after a procedure, some gained genius intelligence, some could actually fly.

as we were learning this all (maybe the surgeon was telling us, as he operated?  i don’t remember), a beautiful blonde woman sat up on her surgical table, her chest oozing new blood upon the old dried blood.  she was screaming and screaming in agony and pain and sorrow, pointing at a stainless steel table across the room.  there, on the small table, sat her heart, bloody and beating.

i backed away slowly, half-listening to the doctor explain that things had started to go terribly wrong.  i quickly found a set of many open doors, and walked outside into a group of scions.  i was about to just walk away, the fresh air felt so fabulous in my lungs.  but i noticed the scions staring at the humans playing in the snow in the distance.  the other workers were with me, and we decided that we could not just let these things escape.  there was a definite sense of martyrdom:  “save the human children!”

suddenly we workers all had bloody swords, and we ushered the scions inside.  it all got really terrifying, then.  they were disgusting and putrid and it was a bloody mayhem amidst the surgical steel hospital equipment.  there were too many, and there was no controlling them.  it became every-man-for-himself, and i was running, opening doors that led only to windowless rooms, finding small openings and squeezing through them only to find another room, often dorm rooms or classrooms or apartments.  i would search under beds for trap doors, climb into empty elevator shafts, scream and pound on locked doors.  it was endless, and each new escape led to another prison.  and all around, there were scions.

at last, i found myself in a darkened hallway, dark rooms with locked doors everywhere.  i noticed the sword still in my hand, and suddenly remembered a rule that i could leave if i took a scion outside with me.  there was a woman in a lobby trying to deal with the chaos, and i was trying to show her my xeroxed rulebook, to point out the rule about escape.  but she could not hear me.  i grabbed a bloody scion anyway, the sword to her neck, and suddenly i noticed a glass window open a crack.  i could hardly contain my emotion.  it opened onto a rooftop, but we were a story or two above that.  i had to muster the courage to jump out, and to kick out the entire window so both of us would fit, but i was desperate, and left with no other choice.

i kicked, i jumped, and then beside me, (real) Shortcake woke me up.  i couldn’t even find the courage to look around the room.  i held my little teddy bear girl and shivered.  to take my mind off of the dream, i imagined a story plot about secret lovers sending letters to post office boxes, and a granddaughter discovering them.  i didn’t go back to sleep for hours.

how bout them apples?

Threshold

February 4, 2010
bowels

crumpet on tri-x film pushed, in mamiya tlr

 

What would happen if one woman told the truth about her life?  The world would split open.

~Muriel Rukeyser   (found on this blog, upon which I am currently crushing.)

 

I often consider the concept of threshold, perhaps because I am drawn to dance alongside it.  I wonder about the paradox of a thing, and about the point beyond which the pendulum swings the other way.  Things like . . .

breaking point breakdown conception suicide insanity orgasm death critical mass critical condition trigger release love affair hibernation hope for salvation loss of balance fucked up childhood one or the other friendly or flirty funny or crude aloof enlightened condescending wise light dark fear pain belief ecstasy lithium saturation

the level of calcium in a cell of cardiac tissue that, when reached, causes the heart to contract.

the crescendo of a feeling or desire that is secret or repressed or denied or ignored and the little thing that breaks the shell, allowing it to wreak havoc on any pathetic attempt at pretense.

. . . and such.

(ahem)

 

It is this bottom of the stairwell, head in hands, on the threshold of insanity feeling that inspired this following little ditty a few months ago, and in turn, I decided to write Motherhood, The Musical.  (I’m totally kidding, of course, but it has a certain ring, doesn’t it?)  It seems the depths of winter are inspiring quite a few of these moments in quite a few of my friends.  I wish I could sing this for you, because I crack myself up, but I can’t figure out how to effectively upload music files.  Anyway.  It’s a waltz:

I’m deep in the bowels of / Motherhood / I’m fertile and sexed and it / Doesn’t feel good / I’ll take all these children / And feed them to wolves / Or I’ll eat them myself / If the damned dogs are full.

Tell me that doesn’t just scream Broadway hit. 

 

Ohmigod.  Please don’t call Social Services.  I’m just kidding.  About the wolves.  Thing.

can’t sleep

January 15, 2010

 

I woke up the morning of the 2004 Tsunami in the Indian Ocean having dreamt about it as it was happening.

I sat up in bed, processing the strange dream.  In my limited international knowledge, I was perplexed by the image of the dark-skinned Asian people that lingered in my dream-memory.  Were there even dark-skinned Asian people?  I honestly wondered if my imagination had made that up.  (I now cringe, of course, at my ignorance.)

The dream:  Hercules and I were on a rocky cliff overlooking the ocean.  We climbed down the dark brown rocks and met a group of teen-aged boys who were hanging out in a sort of cove.  He was introducing me to them, some of his lively high school students, he said.  Suddenly one shouted something I couldn’t understand, and pointed out at the ocean.  I looked, and noticed the subtle swelling of water approaching the beach in waves.  Each one began to appear larger than the last, and I felt dizzy.  The boys started panicking.  We turned to the land, where we saw the water was rising rapidly, and we all took off running. 

We followed them up the beach, and into a maze of white buildings and courtyards.  People everywhere were running from the water that was pouring onto the beach.  The waves were growing in the distance, and soon, the water began crashing at the foot of the buildings.  The current was strong, and people were losing their footing.  We ran to a tall white hotel building with large open windows and balconies.  Up was our only option.  “To the sixth floor!” I shouted.  The stairwell was congested, and once or twice, we ran into an open room to watch what was happening outside.  Everything was chaos and water and fear, and I simply could not comprehend it.

It was not at all the first time I had had a disaster dream.  I used to dream of tornadoes and war quite often.  But this was different, vivid.  I was shaken as I began the lazy, post-Christmas day, but soon I blamed the dream on my pregnancy hormones (Mowgli) and let it go.  Later, Hercules was watching TV in the living room, and he mentioned something about a tidal wave.  I thought of an old Nintendo surfing game, and pictured one monstrous, white-capped wave.  I was not terribly interested in the news, but I sat next to him on the couch and watched. 

There was water everywhere, and tall white buildings, and dark-skinned people, and chaos.  I did not even know what the word “tsunami” meant.  I did not even know which continent I was looking at.  But it was as if my dream had been recorded, and was playing a continual loop on CNN. 

At first, I didn’t cry.  I was only shocked and terrified by the incredible connection; it was like seeing a unicorn walking down the street.  I gasped and stared in disbelief, my hands over my mouth, my skin pricking with waves of chill.  I tried to talk sense into myself, to find ways that this was all a silly coincidence, but I coudn’t.  Somehow, a part of me had been there.  And that was my body floating in the water, and that was me screaming for my dead child, and that was me homeless and injured and sick and alone.

Whatever it is, scientific or spiritual or mental or coincidental, there is a connection between us all.  Not once since that dream have I doubted that.  Forgotten, maybe, but never doubted.

I’ve tried really hard to remain ignorant about the recent Haiti disaster.  I don’t watch TV or read the newspaper.  I don’t read the news online, and have been purposely avoiding the blogs about Haiti.  I donated my $10, and felt appropriately ineffective.  But then, dammit, I looked at some pictures.  I watched one news story.  I looked at more pictures.  And it is as I had tried to deny: there are mothers and fathers and sons and daughters there, experiencing devastation upon devastation upon devastation.  And I can hardly bear it.  I can’t stop crying.

I can’t reverse it, Mother Nature’s betrayal.  I can’t lift the rubble.  I can’t scoop up a few orphaned babies and just take them home with me.  (Why is that not an option?  Are there not millions of warm, empty beds in this country?)  I can’t even give that dad in the picture—the one who had just discovered his 10-month-old in a sea of dead bodies—a hug.  And it overwhelms me.  What can I do?

Tonight, I felt my sleeping Mowgli’s heart drumming against his chest for a long moment.  I held Dimples during a night terror, then walked him back to bed.  I rubbed Kiki’s back, who was up too late and overtired.  I snuggled with Shortcake when she woke up crying, and smelled the top of her head with each inhale.  I thought about connection.

I am overwhelmed.

 

friend + baby, film neg scan

friend + baby, film neg scan

name that emotion

January 3, 2010

hello.

i am feeling

exceptionally

(fucking)*

crabby

today.

and also sorta like this:

TAF_1220x

 and in the good moments,

more like this:

TAF_1270x

 

(*yes, mom.  necessary.)

DSC_0627x

see? blue cast. photoshop fail.

Today I received a mini lecture about a homework folder.  I’m sure it was as simple as “Mowgli didn’t bring his folder to school today,” but I only heard: “You are a failure as a mother, and your children are destined to become even more terrible failures than you, thanks to your parenting ineptitude.”

When I got home, there was mascara all over my face.

Now, granted, it is a new moon today, plus, nature is just about as dark as she gets right now.  And however skeptical you might be about nature’s effects on the soul, the new moon does at least have physical implications for me.  (read: P. M. fucking. S.) 

Anyway.  I came home—drippy mascara, hungry kids, and all; and went online to place another photo order.  While the order was uploading, I (surprise!) went on to facebook, where a friend admitted to having a bad day.  It was a simple, honest sentence, but was more comforting to me, in that ridiculously depressive moment, than any other words or actions could have been.  Beyond support, advice, or sympathy, it sometimes is just nice to know that you’re not alone. 

I know. I know how obnoxiously weepy and sappy and whiny that sounds if your life is perfect and you are never sad.  (Seriously?  Your life is perfect, and you are never sad?  Wow.  Bitch.)  But for those of us humans, we actually find great comfort and connection in one another’s imperfections.  It’s true, isn’t it?  Don’t you feel closer to a person once you’ve seen their soft underbelly, their endearing (and not so endearing) flaws, their mistakes and secrets?  Or worse, their mundane?

So why in the world do we try so desperately to hide those things?  We flaunt what ”should” be flaunted, and hide what “should” be hidden (including our sadness).  And then we, wearing mascara and perfection, disconnect.

I had a similar conversation with a friend the other day, and she remarked on what a vicious cycle it is: the attempt to connect by appropriately flaunting and hiding and fitting into stereotypes, which, in turn, only causes more loneliness.  Counterproductive.

I was feeling all smug and non-people-pleasy then, like, psssh.  glad i’m not like that.  pssssh. 

Until I thought about what it would be like to meet, in person, some friends I know only through this here electronic device.  And it made me feel socially anxious–a feeling I am not at all familiar with.  I realized that this is totally different than the normal way of getting to know someone.  You people know me at my most manic depressive.  I flash my soul here, in words and pictures and drawings like I would never do over a casual cuppa, yet you would not even recognize me in passing.

Someone directed me to this post by Jen Lee that says it perfectly.  “Being new friends is sometimes about breaking the bad news to each other.”  My confession, my soft underbelly (no pun intended), is more about how normal and relatively boring I actually am.  And so, without further ado, I’m breaking the bad news, a few of my horrifyingly mundane attributes:

 (these will not be making it to the christmas cards.)

~ I have ugly feet.  I mean, who doesn’t have ugly feet?  But apparently, mine are even that much uglier.

~ My dreadlocks really have nothing at all to do with a spiritual journey.  It’s just another hairstyle.

~ I have really short, stubby fingers.  Bad for arpeggios, good for trills.

~ In a matter of minutes, I can be all three of these things: extremely happy, painfully sad, and completely apathetic.  Quite frequently, actually, this is the case.  (Did you know that already?)

~ Currently, my comfortable jeans are a size 12.  And I have neither ambition nor desire to change that fact.  I’m fine with it, but if exercise and dietary discipline are virtues, then fat is a fault.

~ I’m not terribly good at photoshop (obviously?).  AND I use (prepare yourselves, photographers!!!) Photoshop Elements.

~ I don’t wear sunscreen because I like how I look with a tan.

~ I am likely the messiest person you’ll ever know.  Seriously.  (Tell ‘em, real life friends.)

~ I live in the most standard ranch house ever.  And I don’t.  Have.  Anything.  Hanging.  On.  My.  Walls.  (except something I will tell you about later.)

~ I don’t at all take care of things like DVDs (Hi, Jessica!), TVs, laptops, carpets, . . . oh, anything really.  I don’t take care of material things.

~ I was the homecoming queen.

~ I don’t send Christmas cards.

#1.  I am no longer sleep-deprived, but when I wrote this poem(?), I was.  So it is now safe to laugh.  Or whatever.

#2.  It was this post from Pixie that got me feeling all stirry.

#3.  The photo below is unrelated, unless you really look at it.  Then it is entirely appropriate.  You’ll just have to discover that for yourselves.

#4.  The photo yesterday was not Shortcake.

#5.  Is it poetry if it has stanzas?

tri-x neg scan

tri-x neg scan

 

the somethings that brew in the darkest night
the stirring
power
the depth

i can feel it, almost
like a shadow

whatever is there only
when i look away
like the demon i thought i’d imagined (when i was young)
then almost wished was real (still)

the darkness without the candle
moonless night

inky soul

i can feel it
i can taste it
like drumming, deep
can you feel it

simmer?
new moon, solstice
silent night, holy, night

gestation.

and then
everyone else
who feels it, too
like the hallelujah chorus unsung,
like a storm ready and electric

you
and then
me
and then

angst and ink on paper

November 10, 2009

This is one of those posts that precede an influx of concern for my mental well-being.  Before you send prescriptions, chocolate, or flowers, know that all is well.  Just yesterday I posted this to my twitter:  “minor issue 2day: want to hug/kiss everyone i see. i don’t think i am even drunk.”  So this is probably just an extreme-cheerfulness rebound.

Alright.  Send chocolate if you must.

Today, I was thinking about an interesting effect that motherhood has had on me.

Some people need to fast, take drugs, experience near-death, meditate, journey, perform ritual.  Some people need these things to strip themselves to the core, to know the profound emptiness of being.  I only need motherhood.  This gig has left me drained, sucked me dry (literally), pecked me to the bone.  And without fail, in my moment on the brink of breakdown, it hits me.  This is the kind of thing people pay good money for!  There are workshops, retreats, e-courses, and books, all centered around trying to get here: a place of stillness and surrender, complete with ego destruction, soul encounter, epiphany. 

I cried myself here today, blubbering and pathetic, overwhelmed by the fighting and the screaming and the whining and the clinging and the endlessness of it all.  And right on cue, in the midst of the darkness, glimpsed a lovely little epiphany regarding my nanowrimo protagonist.  I’m grateful for the experience, but to be honest, I think I would have chosen walkabout today, were I given the informed choice.

Shortcake and I had a quickie post-tears art session today, she with yellow paint (currently all over my jeans), and me with ink on (wrinkled) hot press watercolor paper.  The illustration friday prompt this week was “blur.”  I’m deciding that this is appropriate because it looked blurry through my tears.

blur